Boss · Modulation

Boss BF-2 Flanger Settings Guide

The production-standard flanger. Made from 1980–2001 with a distinct warm BBD character. The jet-plane whoosh of Van Halen's Unchained, Heart's Barracuda, and countless 1980s recordings.

Used by: Eddie Van Halen, Andy Summers, David Gilmour

The best Boss BF-2 Flanger settings start with: Rate at 3/10, Depth at 5/10, Resonance at 4/10, Manual at 5/10. Adjust from there based on your amp, guitar, and room volume. For Classic Rock: Rate 3/10, Depth 5/10, Resonance 4/10, Manual 5/10.

What Each Control Does

Rate
Slow
Fast
Speed of the flanger sweep. Low Rate = slow, evolving sweep; high Rate = fast, jet-plane effect.
Depth
Shallow
Deep
Amount of pitch modulation. Low Depth = subtle comb filtering; high Depth = dramatic whoosh.
Resonance
Soft
Sharp
Feedback intensity. High Resonance = metallic, sharp peaks. Above 3 o'clock adds a resonant "whistle" to the sweep.
Manual
Low
High
Sets the delay time (and therefore the centre frequency of the comb filter). Changes the sweep range character dramatically.

Recommended Starting Settings

Safe starting positions for any style. Adjust from here based on your amp and room.

3
Rate
5
Depth
4
Resonance
5
Manual

All values on a 0–10 scale. These are starting points — fine-tune by ear.

Settings by Genre

Classic Rock
Rate3
Depth5
Resonance4
Manual5

Moderate Rate, balanced Depth and Resonance — the classic 1980s rock flanger character. The BF-2 at these settings produces the musical sweep without the extreme jet-plane effect. Suits rhythm guitar chord playing more than the BF-3's more dramatic character.

Metal
Rate2
Depth7
Resonance6
Manual5

Slower Rate, higher Depth and Resonance — the heavy, metallic flanger character for 80s metal. At Resonance above 6 the BF-2 produces a sharp, resonant sweep that adds intensity to power chords. Use before a high-gain amp for the most dramatic interaction.

Shoegaze / Ambient
Rate1
Depth6
Resonance3
Manual7

Very slow Rate for an evolving, barely-identifiable flanger wash. High Manual moves the comb filter centre frequency up, brightening the character. At Rate 1 the sweep takes many seconds per cycle, creating a slow-moving harmonic texture rather than an obvious effect.

Funk
Rate6
Depth4
Resonance3
Manual5

Faster Rate, moderate Depth and Resonance — rhythmic flanger sweep that can be matched to song tempo. At Rate 6 the flanger has an audible rhythmic quality that suits funk chord playing. Keep Resonance moderate to avoid harshness on single-string funk parts.

Artist Settings

Documented settings used by professional guitarists on this unit.

Rate3
Depth6
Resonance5
Manual5

EVH used the BF-2 (and its predecessor BF-1) for his iconic flanger sounds — notably Unchained. Moderate Rate, moderate-high Depth and Resonance produce the recognisable "jet plane" sweep. He used it in front of a cranked Marshall, where the flanger interacted with the amp's natural compression for a complex, organic character.

Rate2
Depth5
Resonance3
Manual4

Summers used flangers and chorus extensively on The Police recordings. Slower Rate with moderate Depth gives a more subtle character than Van Halen's approach — his flanger is present but doesn't dominate the mix. Manual below noon gives a warmer, lower comb filter character.

Rate2
Depth4
Resonance2
Manual6

Gilmour used flangers including the BF-2 on specific recordings — typically slow Rate with low Resonance for a gentle, evolving texture rather than a dramatic jet effect. His approach uses flanging as a subtle textural element underneath lead tones, not as an obvious effect.

Also in Our Rig Database

Guitarists who feature this gear in their documented rig — explore their full setup.

Tips & Common Mistakes

  • The Manual control dramatically changes the BF-2's character — sweep it manually to find the comb filter position that sounds most musical with your amp and guitar, then set Rate to move the sweep around that point.
  • Resonance above 3 o'clock produces a metallic, whistling characteristic — useful for aggressive rock but harsh in musical applications.
  • The BF-2 has a slight volume boost when engaged — set the direct mix so the flanged signal doesn't jump in level.
  • Flanger before distortion sounds embedded in the drive; flanger after sounds like a separate processed effect. The Van Halen approach was before the amp's preamp stage, which is the most "guitar in the room" sound.
  • Collect original Boss BF-2 units when possible — the original AD711 bucket-brigade chip gives a warmer, more organic character than modern alternatives. Units from before 1985 are most valued.

Boss BF-2 Flanger — Common Questions

Best starting settings for Boss BF-2 Flanger: Rate at 3/10, Depth at 5/10, Resonance at 4/10, Manual at 5/10. Adjust from there based on your guitar, room, and playing style.

For Classic Rock: Rate 3/10, Depth 5/10, Resonance 4/10, Manual 5/10. Moderate Rate, balanced Depth and Resonance — the classic 1980s rock flanger character. The BF-2 at these settings produces the musical sweep without the extreme jet-plane effect. Suits rhythm guitar chord playing more than the BF-3's more dramatic character.

For Metal: Rate 2/10, Depth 7/10, Resonance 6/10, Manual 5/10. Slower Rate, higher Depth and Resonance — the heavy, metallic flanger character for 80s metal. At Resonance above 6 the BF-2 produces a sharp, resonant sweep that adds intensity to power chords. Use before a high-gain amp for the most dramatic interaction.

Rate: Speed of the flanger sweep. Low Rate = slow, evolving sweep; high Rate = fast, jet-plane effect. (Slow to Fast). Depth: Amount of pitch modulation. Low Depth = subtle comb filtering; high Depth = dramatic whoosh. (Shallow to Deep). Resonance: Feedback intensity. High Resonance = metallic, sharp peaks. Above 3 o'clock adds a resonant "whistle" to the sweep. (Soft to Sharp). Manual: Sets the delay time (and therefore the centre frequency of the comb filter). Changes the sweep range character dramatically. (Low to High)

The Manual control dramatically changes the BF-2's character — sweep it manually to find the comb filter position that sounds most musical with your amp and guitar, then set Rate to move the sweep around that point. Resonance above 3 o'clock produces a metallic, whistling characteristic — useful for aggressive rock but harsh in musical applications. The BF-2 has a slight volume boost when engaged — set the direct mix so the flanged signal doesn't jump in level. Flanger before distortion sounds embedded in the drive; flanger after sounds like a separate processed effect. The Van Halen approach was before the amp's preamp stage, which is the most "guitar in the room" sound. Collect original Boss BF-2 units when possible — the original AD711 bucket-brigade chip gives a warmer, more organic character than modern alternatives. Units from before 1985 are most valued.

Eddie Van Halen settings: Rate 3/10, Depth 6/10, Resonance 5/10, Manual 5/10. EVH used the BF-2 (and its predecessor BF-1) for his iconic flanger sounds — notably Unchained. Moderate Rate, moderate-high Depth and Resonance produce the recognisable "jet plane" sweep. He used it in front of a cranked Marshall, where the flanger interacted with the amp's natural compression for a complex, organic character.

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