Brian May

Bohemian Rhapsody (solo)

Brian May · A Night at the Opera · 1975

What Makes This Sound Unique

The most layered guitar solo in classic rock — May stacked multiple passes of the Red Special through Vox AC30s to build a "guitar orchestra." Each layer is slightly different in panning and tone, creating a choir effect impossible to replicate with a single guitar.

  1. 1Burns Red Special (treble pickup, hand-built by May)
  2. 2Vox AC30 (top-boost channel)
  3. 3Deacy Amp (custom homemade amp, later in signal chain)
  4. 4Brighton Rock-style treble booster (AC128 germanium)
Gain / Volume8
Bass5
Mid7
Treble8
Presence6

Vox AC30 top-boost channel with high treble — the AC30 produces a bright, chimey overdrive that stacks harmonically with itself when overdubbed. The treble booster before the input drives the EL84s into saturation at lower volumes.

How to Play It

The solo was tracked multiple times and panned hard left, centre, and right to create the "wall of guitars" effect — in a live context, a single layered guitar sound approximates this, but the original is production magic.

Achievable With

Vox AC15 or AC30 + treble booster (Rangemaster clone) + a semi-hollow or hollow-body guitar. The treble booster into the AC30 is the non-negotiable core of May's tone.

Other Song Rigs

We Will Rock You

News of the World · 1977

Almost entirely acoustic — the famous stomp-and-clap rhythm has no electric guit

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Killer Queen

Sheer Heart Attack · 1974

May's most melodically complex guitar work — intricate multi-tracked harmonies w

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