Dan Auerbach

Lonely Boy

Dan Auerbach · El Camino · 2011

What Makes This Sound Unique

El Camino marked the Black Keys's commercial breakthrough and Auerbach's most polished studio tone. Lonely Boy uses a layered guitar approach — a clean/lightly overdriven guitar providing the rhythm foundation, and a gritty, vintage-distorted guitar for the lead fills. The tones draw from classic 1960s rock and blues records rather than contemporary settings. A Supro Saharan or similar vintage combo provides the natural, speaker-compressed breakup.

  1. 1Gibson ES-335
  2. 2Supro 1624T Dual-Tone (1960s vintage)
  3. 3National Reso-Phonic (lap steel)
  4. 4Electro-Harmonix Big Muff Pi
Gain / Volume6
Bass6
Mid7
Treble7
Presence6

The Supro's natural speaker compression at high volume creates the El Camino distortion character — it is an old-fashioned amplifier breakup rather than a pedal distortion. The tone is gritty but warm, never harsh.

How to Play It

Auerbach's right-hand technique incorporates bluegrass-influenced hybrid picking — using a pick for the downstroke on low strings and fingers for the upstroke on high strings — giving his rhythm parts more rhythmic complexity than pure pick strumming.

Achievable With

A semi-hollow or P-90 equipped guitar into a small vintage-style combo (Fender Champ, Supro clone, Epiphone Valve Jr) pushed to natural breakup. The warm, compressed quality comes from speaker saturation rather than pedal distortion.

Adapt to My Amp

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