Dave Murray

Hallowed Be Thy Name

Dave Murray · The Number of the Beast · 1982

What Makes This Sound Unique

Widely considered Iron Maiden's greatest song — the guitar tone builds from a clean, fingerpicked intro through a mid-tempo verse to the full-gallop climax. Murray's clean tone on the intro is a warm, slightly chorus-drenched Strat that contrasts starkly with the full Marshall distortion of the heavy sections.

  1. 1Fender Stratocaster (neck pickup for clean intro)
  2. 2Marshall JCM800 (heavy sections)
  3. 3Boss CE-2 Chorus (clean intro)
Gain / Volume8
Bass6
Mid7
Treble8
Presence8

The intro uses a clean, chorus-drenched tone that creates a church-like, hymnal quality. The transition to full Marshall distortion for the main riff is one of the most impactful tonal shifts in heavy metal.

How to Play It

Clean fingerpicking transitioning to full distortion rhythm — the technical demand is the contrast: a delicate, precise fingerpicked intro that requires clean articulation, followed by the aggressive palm-muting and gallop rhythm of the main section.

Achievable With

Stratocaster neck pickup → Boss CE-2 → clean amp for intro; same guitar → JCM800 for the distortion sections. The clean intro requires precise fingerpicking; the heavy section requires gallop rhythm mastery.

Adapt to My Amp

Other Song Rigs

The Number of the Beast

The Number of the Beast · 1982

The title track that made Iron Maiden global — Dave Murray's Stratocaster into t

View rig →

The Trooper

Piece of Mind · 1983

The Piece of Mind era tone — slightly more refined than the Number of the Beast

View rig →

Fear of the Dark

Fear of the Dark · 1992

Murray's Fender Stratocaster through a Marshall with the twin-guitar Iron Maiden

View rig →

Run to the Hills

The Number of the Beast · 1982

Peak NWOBHM Marshall tone — Murray and Adrian Smith's twin Stratocasters through

View rig →

Aces High

Powerslave · 1984

One of Maiden's most relentlessly fast tracks — the twin-guitar unison picking a

View rig →
← All Murray SongsSound Like MurrayAmp Settings →