David Gilmour

Wish You Were Here

David Gilmour · Wish You Were Here · 1975

What Makes This Sound Unique

One of the most recognisable acoustic introductions in rock, followed by a warm, gently delayed electric lead. The acoustic intro uses a Martin 12-string fingerpicked in open tuning; the electric sections use the Strat neck pickup through the Hiwatt with Binson Echorec quarter-note repeats that hang in the space between phrases.

  1. 1Martin D-28 12-string (intro)
  2. 2Fender Stratocaster (neck pickup)
  3. 3Hiwatt DR103
  4. 4Binson Echorec (300ms quarter-note repeats)
Gain / Volume5
Bass7
Mid5
Treble6
Presence4

Lower gain than the Big Muff pieces — the Hiwatt's clean headroom does the tonal work here. The Binson Echorec is set to quarter-note repeats at 300ms, creating the signature echo that fills the space around the sustained notes in the outro lead.

How to Play It

Let each note bloom fully before applying vibrato — Gilmour's slow, wide vibrato is always delayed by about a second from the moment of attack. The acoustic intro uses capo at 7th fret with a specific fingerpicking figure around an open-D shape. For the electric passages, sustain matters more than speed.

Achievable With

Strat neck pickup + Boss DD-8 (300ms, 2–3 repeats at moderate level) into any clean amp. The acoustic intro requires a 12-string; a standard acoustic with capo at 7th fret approximates the timbre.

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