Eric Clapton

Strange Brew

Eric Clapton · Disraeli Gears · 1967

What Makes This Sound Unique

The woman tone at its most controlled — neck pickup with tone fully rolled off into a cranked Marshall. The result is a mid-rich, vocal, almost horn-like quality with none of the treble bite typical of a Les Paul.

  1. 1Gibson Les Paul Standard (neck pickup, tone at 0)
  2. 2Marshall JTM45 (cranked to 10)
Gain / Volume10
Bass7
Mid5
Treble8
Presence6

Counter-intuitively, the amp treble is set HIGH — the Les Paul's rolled-off tone knob removes treble at the source, and the amp's treble compensates. The result is a specific mid-frequency emphasis that sounds "thick" rather than bright.

How to Play It

Play with the guitar tone knob completely rolled off and the amp's treble turned up — the woman tone is a guitar-level EQ trick, not an amp setting.

Achievable With

Any humbucker guitar with tone rolled to zero into a moderately overdriven amp — the technique matters more than the specific gear.

Other Song Rigs

Crossroads

Wheels of Fire · 1968

The fastest, most aggressive Cream-era Clapton tone — Les Paul into a cranked Ma

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Layla

Layla and Other Assorted Love Songs · 1970

Dual-guitar wall of sound — Clapton and Duane Allman each played different parts

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