Eric Johnson

Righteous

Eric Johnson · Ah Via Musicom · 1990

What Makes This Sound Unique

Eric's heaviest tone on Ah Via Musicom — a distortion-driven track that shows his Marshall side alongside the Dumble clean and fusion lead tones. The Marshall at high gain produces a powerful, warm distortion with the Strat's humbucking-adjacent tone (using specific pickup angles to minimise 60-cycle hum).

  1. 1Fender Stratocaster (bridge pickup, angled for hum cancellation)
  2. 2Marshall (high gain, specific model varies)
  3. 3Dallas Arbiter Fuzz Face
Gain / Volume8
Bass6
Mid7
Treble7
Presence7

Eric's Marshall tone is warmer than most Marshall users — he positions the Strat bridge pickup at a specific angle and adjusts his picking position to create a fuller, less nasal tone from a bridge single-coil.

How to Play It

Aggressive alternate picking with smooth legato transitions — Righteous combines Eric's jazz-influenced legato runs with harder, more physically aggressive alternate picking on the rhythm sections, creating the hard rock energy he normally channels through instrumental technique.

Achievable With

Stratocaster bridge → Dallas Fuzz Face → Marshall JCM800 → the key is Eric's right-hand position: pick closer to the neck than usual for a fuller, warmer bridge pickup tone.

Adapt to My Amp

Other Song Rigs

Cliffs of Dover

Ah Via Musicom · 1990

One of the most technically precise guitar tones in rock — every note is crystal

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Trademark

Ah Via Musicom · 1990

Blues-influenced and more aggressive than Cliffs of Dover — Trademark shows John

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Ah Via Musicom

Ah Via Musicom · 1990

The album title track — a cleaner, more acoustic-flavored guitar piece that reve

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Zap

Tones · 1986

Eric's debut album showcases his clean Strat tone before the Cliffs of Dover era

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Venus Isle

Venus Isle · 1996

Eric's most ambitious album — the Venus Isle era pushes his production toward lu

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