
Song Rig
Righteous
Eric Johnson · Ah Via Musicom · 1990
Tone Overview
What Makes This Sound Unique
Eric's heaviest tone on Ah Via Musicom — a distortion-driven track that shows his Marshall side alongside the Dumble clean and fusion lead tones. The Marshall at high gain produces a powerful, warm distortion with the Strat's humbucking-adjacent tone (using specific pickup angles to minimise 60-cycle hum).
Signal Chain
- 1Fender Stratocaster (bridge pickup, angled for hum cancellation)
- 2Marshall (high gain, specific model varies)
- 3Dallas Arbiter Fuzz Face
Amp Settings
Eric's Marshall tone is warmer than most Marshall users — he positions the Strat bridge pickup at a specific angle and adjusts his picking position to create a fuller, less nasal tone from a bridge single-coil.
Technique
How to Play It
Aggressive alternate picking with smooth legato transitions — Righteous combines Eric's jazz-influenced legato runs with harder, more physically aggressive alternate picking on the rhythm sections, creating the hard rock energy he normally channels through instrumental technique.
Budget Alternative
Achievable With
Stratocaster bridge → Dallas Fuzz Face → Marshall JCM800 → the key is Eric's right-hand position: pick closer to the neck than usual for a fuller, warmer bridge pickup tone.
Your Gear
Adapt to My Amp
More from Eric Johnson
Other Song Rigs
Cliffs of Dover
Ah Via Musicom · 1990
One of the most technically precise guitar tones in rock — every note is crystal…
View rig →Trademark
Ah Via Musicom · 1990
Blues-influenced and more aggressive than Cliffs of Dover — Trademark shows John…
View rig →Ah Via Musicom
Ah Via Musicom · 1990
The album title track — a cleaner, more acoustic-flavored guitar piece that reve…
View rig →Zap
Tones · 1986
Eric's debut album showcases his clean Strat tone before the Cliffs of Dover era…
View rig →Venus Isle
Venus Isle · 1996
Eric's most ambitious album — the Venus Isle era pushes his production toward lu…
View rig →