Guthrie Govan

Erotic Cakes

Guthrie Govan · Erotic Cakes · 2006

What Makes This Sound Unique

The album's title track demonstrates Guthrie's range from Hendrixian blues-rock to jazz-influenced fusion within a single piece. The tone is earthier than Wonderful Slippery Thing — more mid-forward and slightly compressed, evoking the late-1960s British blues-rock tradition.

  1. 1Charvel Guthrie Govan Signature (middle pickup, volume ~8)
  2. 2Marshall JTM45 or Matchless DC30 (moderate gain)
  3. 3Dunlop Cry Baby (loose wah positioning)
  4. 4Analogman King of Tone (light overdrive)
Gain / Volume5
Bass6
Mid7
Treble6
Presence5

A vintage British amp voicing — JTM45-style, moderate gain, with the mid-forward character typical of EL34-based circuits. Avoid high gain; the complexity of the playing is best heard through a semi-clean tone.

How to Play It

Wah used as an expressive filter rather than a rhythmic effect — held in a fixed position or rocked slowly rather than the faster technique common in Hendrix or funk playing.

Achievable With

Stratocaster or Tele → Vox AC30 or Marshall Origin → Dunlop Cry Baby + low-gain overdrive (TS9, BB Preamp). Focus on dynamics — play harder for more drive, softer for clean.

Adapt to My Amp

Other Song Rigs

Wonderful Slippery Thing

Erotic Cakes · 2006

Guthrie's signature fusion-clean tone — bright and slightly compressed with just

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Fives

Erotic Cakes · 2006

5/4 time groove played with infectious swing — the tone is funky and percussive

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Waves

Erotic Cakes · 2006

Guthrie's most atmospheric track — a slow, floating piece that shows the clean,

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Sevens

Erotic Cakes · 2006

The aggressive counterpart to Fives — a heavier, distortion-driven track in 7/8

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Ner Ner

Erotic Cakes · 2006

The Erotic Cakes closer — a funky, chicken-picking fusion track that ends the al

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