Jeff Beck

Blow by Blow

Jeff Beck · Blow by Blow · 1975

What Makes This Sound Unique

The title track from Beck's landmark fusion album — clean to lightly overdriven, heavy use of the volume control and whammy bar, jazz-informed chord voicings played with fingers. The tone is warm and singing, built on the Les Paul through a low-gain Marshall. Beck's total absence of a pick means the guitar has a softer, rounder attack than normal rock guitar.

  1. 1Gibson Les Paul (neck pickup)
  2. 2Marshall (low gain, clean-ish)
  3. 3whammy arm (Fender Stratocaster vintage-style)
Gain / Volume4
Bass6
Mid7
Treble5
Reverb4

Low gain, very warm — the Les Paul neck pickup into a moderately clean Marshall with the treble pulled down creates a round, vocal quality. Beck uses his volume knob constantly to swell into notes, which requires the amp to respond to volume changes rather than clipping.

How to Play It

Volume swell with whammy bar — Beck plays a note, then swells in the volume with his pinky on the volume knob while simultaneously doing slow whammy bar vibrato. The effect is like a steel guitar or theremin. He has never played with a pick.

Achievable With

Les Paul neck pickup → low-gain amp → practice volume knob swells with the pinky while playing lead with other fingers.

Adapt to My Amp

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