Joe Satriani

Always with Me, Always with You

Joe Satriani · Surfing with the Alien · 1987

What Makes This Sound Unique

Satriani's most melodic and restrained tone — a clean to light-crunch Strat-like character from the Ibanez JS1 on the neck pickup, with a subtle chorus and the delay timed precisely to the song's ballad tempo. The emotional content is entirely delivered through the melody and vibrato, not the gain level.

  1. 1Ibanez JS1 (neck pickup, volume at 7)
  2. 2Marshall JMP (clean to very light crunch)
  3. 3Boss CH-1 Chorus (subtle)
  4. 4Boss DD-2 (longer delay, 1–2 repeats, 380ms)
Gain / Volume4
Bass6
Mid6
Treble7
Presence5
Reverb3

The cleanest Satriani studio tone — gain barely past unity. The neck pickup on the JS1 has a warmer character than the bridge position. Chorus adds shimmer without width that would blur the melodic line. Reverb moderate.

How to Play It

Measured, pitch-perfect vibrato on every sustained note — Satriani's vibrato in ballad context is wider and slightly slower than his shred playing, maximising emotional expression on each note. Whammy bar used for gentle pitch dips rather than dramatic dives.

Achievable With

Any guitar with neck humbucker + clean Fender-style or Marshall clean amp + Boss CH-1 and DD-8 (380ms delay, 1 repeat). The vibrato control and melodic restraint are the complete technique picture.

Adapt to My Amp

Other Song Rigs

Satch Boogie

Surfing with the Alien · 1987

The defining Satriani tone — Ibanez JS1 into a cranked Marshall with the TS9 as

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Summer Song

The Extremist · 1992

The most radio-friendly Satriani recording — a melodic intro with clean brightne

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