John McLaughlin

Follow Your Heart

John McLaughlin · Shakti · 1976

What Makes This Sound Unique

McLaughlin's total departure from electric guitar — Shakti used an acoustic guitar with scalloped frets and sympathetic strings (a custom guitar built to approximate Indian sarod tone). The resulting sound is light-years from the Marshall double-neck, producing a delicate, resonant acoustic tone with micro-tonal capabilities.

  1. 1Custom acoustic guitar (scalloped frets, drone strings beneath main strings)
  2. 2No amplification — purely acoustic for most Shakti recordings
Gain / Volume0
Bass5
Mid6
Treble7

Acoustic — the Shakti period was McLaughlin's rejection of electric guitar entirely. The custom instrument's scalloped frets allow string bends equivalent to Indian music's micro-tonal ornaments, impossible on standard fretboard.

How to Play It

Indian classical ornaments on guitar — McLaughlin adopted the gamakas (ornamental pitch movements) of Indian classical music, using scalloped frets to slide and bend strings in ways unavailable on standard fretboards.

Achievable With

Acoustic guitar with scalloped frets (must be custom-made or modified) → no amplification → listen to Indian classical sitar and violin music to understand the gamakas McLaughlin is imitating. A standard acoustic guitar cannot produce these ornaments.

Adapt to My Amp

Other Song Rigs

Meeting of the Spirits

The Inner Mounting Flame · 1971

The Mahavishnu Orchestra debut opener — McLaughlin's double-neck Gibson through

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Birds of Fire

Birds of Fire · 1973

The Mahavishnu Orchestra's most aggressive recording — the double-neck at higher

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Vital Transformation

The Inner Mounting Flame · 1971

Ferocious and sharp-edged — McLaughlin's Gibson Les Paul Custom through a Marsha

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A Lotus on Irish Streams

Shakti · 1976

Purely acoustic and deeply lyrical — McLaughlin's custom acoustic with scalloped

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Guardian Angel

Apocalypse · 1974

Orchestral and expansive — McLaughlin's double-neck guitar playing against a ful

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