Kenny Burrell

Kenny Burrell — Tone Evolution

Kenny Burrell is one of the most revered jazz guitarists — his Gibson ES-175 tone and blues-inflected bebop phrasing influenced everyone from Grant Green to George Benson. Midnight Blue (1963) is considered one of the finest jazz guitar albums ever recorded.

1956–19651965–present
1

1956–1965: Blue Note Records / Midnight Blue

Burrell's Blue Note recordings — Guitar Forms (1965, arranged by Gil Evans), Midnight Blue (1963) — are canonical jazz guitar. He used a Gibson ES-175 or L-7 through a clean Fender Deluxe. His tone was warm and dark, his phrasing blues-rooted but harmonically sophisticated. Midnight Blue's Chitlins con Carne became one of the most covered jazz guitar pieces ever. He recorded prolifically as a sideman for virtually every major Blue Note artist.

Signal Chain

Gibson ES-175 (sunburst)Gibson L-7 (archtop)Fender Deluxe Reverb (or similar)Flatwound strings
2

1965–present: CTI / Teaching / Ellington Is Forever

Burrell's consistency across 70 years is extraordinary — the same guitar approach from 1956 to 2024; a master class in having a fully formed musical identity and maintaining it.

Burrell has been a prolific sideman, leader, and educator — he founded the Jazz Studies program at UCLA and his Ellington Is Forever album (1975) is a comprehensive tribute to Duke Ellington's music. His tone has remained consistent: Gibson archtop (ES-175 or similar), clean amplification, flatwound strings. He has continued performing into his 90s.

Signal Chain

Gibson ES-175 (maintained throughout career)Gibson L-5CES (for some performances)Polytone Mini-Brute (jazz amp)D'Addario flatwound strings
← Artist ProfileSong Rigs →Tone Analysis →Sound Like Burrell