Kirk Hammett
Heavy MetalThrash MetalHard Rock1980s–present

Kirk Hammett

ESP KH-2 (EMG 81/60 pickups) into a Mesa Boogie Dual Rectifier. The Dunlop Kirk Hammett Signature Cry Baby wah is almost always in use — Hammett uses it as a tone-shaping filter on rhythm parts and for the characteristic wah-drenched solos. Very high gain, smooth sustain from the EMGs.

Budget Rig Breakdown

Signal Chain

GuitarJackson JS22
WahCry Baby
DistDS-1
AmpKatana 50
Boss Katana 50 MkII — Amp
Dunlop GCB95 Cry Baby Wah — Wah
Boss DS-1 Distortion — Distortion
Estimated total~£592

Key Tone Tips

  • Wah pedal in the "on" position at heel or toe acts as a tone filter — learn to park it
  • EMG 81 bridge pickup: tighter, more compressed attack than passive pickups at high gain
  • Mesa Boogie Dual Rectifier Modern mode: gain at 7, master at 4 — tight and punishing
  • Wah-laden pentatonic patterns: pick and wah simultaneously for the classic Kirk phrasing
  • Open-string pull-offs create the snaking chromatic runs through solos
  • Riff technique: downstroke-heavy palm muting with the wrist close to the bridge
  • Tremolo bar dips for dramatic accents at phrase endings — fast dip, immediate return
  • Delay: 300ms at low mix on solos gives depth without muddying fast runs
  • Study "Fade to Black" solo and "One" for the range from melodic to aggressive

About Kirk Hammett's Sound

Kirk Hammett defined the lead guitar vocabulary of thrash metal — wah-soaked pentatonic runs, Mesa Boogie high gain and a sense of drama in every solo. His KH-2 signature ESP through a Dual Rectifier is the template for aggressive, expressive metal lead playing.