Lindsey Buckingham

Never Going Back Again

Lindsey Buckingham · Rumours · 1977

What Makes This Sound Unique

Solo acoustic fingerpicking showcase — one of the most technically precise acoustic guitar performances on any major pop album. The interlocking treble and bass lines are played simultaneously on a single guitar without any overdubs. The nylon-string acoustic tone is warm, dry, and intimate.

  1. 1Ovation acoustic guitar (or similar acoustic)
  2. 2Direct mic — no effects
Gain / Volume0
Bass6
Mid6
Treble6

Pure acoustic — no amplification in the signal chain. Studio mic placement determines the tonal balance. The tone is completely natural acoustic resonance; any effect would destroy the intimate character of the arrangement.

How to Play It

Three-finger picking pattern in open position: the thumb handles the bass string melody while index and middle fingers alternate treble strings in a constant, interlocking pattern. The two independent melodic lines must be played simultaneously — this is a genuine polyphonic technique that requires significant practice.

Achievable With

Any acoustic guitar with the three-finger picking pattern learned. This is about pure finger technique; the acoustic guitar model is entirely secondary to the right-hand approach.

Adapt to My Amp

Other Song Rigs

The Chain

Rumours · 1977

The most distinctive guitar moment on Rumours — Buckingham's fingerpicked intro

View rig →

Go Your Own Way

Rumours · 1977

Buckingham's most aggressive Rumours tone — arpeggiated chords with a driving rh

View rig →
← All Lindsey Buckingham SongsSound Like Lindsey BuckinghamAmp Settings →