Tone Timeline
Michael Schenker — Tone Evolution
Michael Schenker defined the flying-V tone in hard rock — his work with UFO and the Michael Schenker Group used a black-and-white Gibson Flying V through a Marshall to produce some of the most melodically sophisticated lead guitar in British hard rock.
1973–1978: UFO / Lights Out
Schenker joined UFO at 17 and recorded six albums including the essential Phenomenon (1974) and Lights Out (1977). His tone was a Gibson Flying V (black and white custom) through a Marshall Super Lead — the Flying V's mahogany body and stop-tailpiece gave sustain and warmth that he used for long, singing lead lines. Lights Out is the definitive UFO album and features his playing at its most melodically inventive.
Signal Chain
1980–1990: MSG / Assault Attack
↑ MSG era amplified the UFO approach — literally and metaphorically heavier, but the Flying V/Marshall melodic lead identity was preserved.
The Michael Schenker Group allowed full creative control — MSG (1980) and Assault Attack (1982, with Graham Bonnet) showed a heavier approach than UFO. Schenker maintained the Flying V/Marshall combination but the production was heavier and the writing more aggressive. His playing remained melodic within the heavier context.
Signal Chain
1999–present: Unforgiven / Universal
↑ Late career Schenker maintained the Flying V identity while updating to current production instruments — the Dean signature preserves the mahogany/set-neck tone of vintage Gibson Flying Vs.
Schenker has continued recording prolific MSG material and occasional UFO reunions. His personal life has had significant challenges but the playing has remained consistent. He now uses Dean Flying V signature models alongside vintage Gibson instruments, through updated Marshall amplification.
Signal Chain