Peter Frampton

I'm in You

Peter Frampton · I'm in You · 1977

What Makes This Sound Unique

The follow-up album's gentler title track — Frampton uses a cleaner, warmer Les Paul tone compared to the Frampton Comes Alive! energy, with the talk box present but more restrained. The tone is polished pop-rock rather than live blues-rock, reflecting the more commercial direction of the 1977 album.

  1. 1Gibson Les Paul (Pete's custom, neck pickup)
  2. 2Marshall JMP (low gain setting)
  3. 3Heil Talk Box (gentle application)
  4. 4TC Electronic chorus (lush)
Gain / Volume4
Bass6
Mid7
Treble6
Reverb4

Lower gain than the live recordings — the studio album context allows for a more controlled, polished tone. The talk box is gentled for the pop crossover material rather than pushed for maximum expressiveness.

How to Play It

Talk box melody singing with moderate mouth shaping — the I'm in You talk box is more subtle than the aggressive Do You Feel Like We Do application, forming gentle melodic phrases rather than dramatic vowel proclamations.

Achievable With

Les Paul neck pickup → Dunlop Heil Talk Box or Rocktron Banshee 2 → any warm amp at low gain → chorus pedal. Frampton's talk box technique requires practice to form distinct vowel shapes reliably.

Adapt to My Amp

Other Song Rigs

Do You Feel Like We Do

Frampton Comes Alive! · 1976

The talk box solo made Frampton a global star — a vocoder-like effect where guit

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Baby I Love Your Way

Frampton Comes Alive! · 1976

The clean, intimate side of Frampton — the acoustic guitar intro on the live ver

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Show Me the Way

Frampton Comes Alive! · 1976

The most sustained and emotionally resolved talk box performance on the album —

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Do You Feel Like I Do (Talk Box Solo)

Frampton Comes Alive! · 1976

The talk box solo section from the extended live version — the Les Paul through

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Lines on My Face

Frampton Comes Alive! · 1976

The emotional centrepiece of Frampton Comes Alive! — a slow, melodic guitar stat

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Somethin's Happening

Somethin's Happening · 1974

Pre-Frampton Comes Alive! Peter — a warmer, less polished tone than the live alb

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