Rory Gallagher

Bad Penny

Rory Gallagher · Photo-Finish · 1978

What Makes This Sound Unique

Gallagher at his most direct — mid-paced blues-rock with a fat, midrange-heavy Marshall tone. This track showcases his SG period, which produced a slightly thicker, more aggressive sound than the Strat-based recordings.

  1. 1Gibson Les Paul (late 1970s recordings)
  2. 2Marshall Super Lead 100W
  3. 3Dallas Rangemaster (occasionally)
Gain / Volume9
Bass7
Mid8
Treble6
Presence5

High mids setting — the Les Paul + Marshall combination with boosted mids creates the classic British blues-rock sound. Less treble than the Strat setup, more body and weight.

How to Play It

Tight, controlled vibrato on sustained notes — Gallagher's vibrato was faster and more aggressive than Clapton or Page, closer to a blues harmonica style.

Achievable With

Humbucker guitar (Les Paul, SG, any 2-pickup guitar) + Marshall-voiced amp or Boss Blues Driver into a clean amp.

Other Song Rigs

Tattoo'd Lady

Blueprint · 1973

Raw, swaggering Irish blues-rock — Gallagher's battered 1961 Stratocaster throug

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Shadow Play

Calling Card · 1976

Gallagher's most polished studio tone — Calling Card was produced by Roger Glove

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