Sonny Landreth

Native Stepson

Sonny Landreth · South of I-10 · 1995

What Makes This Sound Unique

Sonny Landreth's most celebrated track — a slow, grinding Zydeco-blues slide piece that showcases his unique behind-the-slide fretting technique. The Strat in open D through the Dumble produces a warm, singing slide tone with notes fretted behind the slide creating a simultaneous chordal texture underneath the melody.

  1. 1Fender Stratocaster (open D tuning, DADF#AD)
  2. 2Dumble Overdrive Special or Two-Rock
  3. 3Corning glass slide (heavy wall, ring finger)
Gain / Volume5
Bass7
Mid7
Treble6
Reverb4

Warm and moderately driven — the Dumble's natural compression gives the slide tone long sustain without sounding aggressive. The moderate gain allows both the slide melody and the behind-slide fretting to be heard clearly.

How to Play It

Behind-the-slide fretting — Sonny's unique contribution: he frets notes behind (lower on the neck than) the slide with his other left-hand fingers, creating chordal content that accompanies the slide melody. This effectively turns one guitar into a slide-lead/rhythm duo.

Achievable With

Stratocaster in open D → glass slide on ring finger → Dumble or Two-Rock → practice the behind-slide technique: while the ring finger holds the slide on a string, use the index and middle fingers to fret other strings below the slide position.

Adapt to My Amp

Other Song Rigs

Z'Cydeco

South of I-10 · 1995

The South of I-10 opener — an uptempo Zydeco-influenced slide track that showcas

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Congo Square

Congo Square · 2012

The album inspired by New Orleans's historic cultural crossroads — Landreth's mo

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Slider

South of I-10 · 1995

Zydeco-influenced slide with Cajun grit — Landreth's signature technique of fret

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When the Rains Come

Down in Louisiana · 2004

Atmospheric and soulful — Landreth builds a layered slide guitar texture over a

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Grant Street

Grant Street · 1993

Live Cajun blues at full energy — the Grant Street live album captures Landreth'

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