Tom Morello

Killing in the Name

Tom Morello · Rage Against the Machine · 1992

What Makes This Sound Unique

The heaviest funk-metal guitar tone ever recorded — a heavy-gauge string Whammy pedal running into a Marshall with a killswitch built into the guitar. The rhythmic muting creates the locked-in groove; the Whammy adds alien harmonic content.

  1. 1Arm the Homeless custom guitar (kill switch, Floyd Rose)
  2. 2DigiTech Whammy WH-1
  3. 3Marshall JCM800 (cranked)
  4. 4DOD FX40B graphic EQ (mid boost)
Gain / Volume8
Bass7
Mid8
Treble6
Presence5

Mid boost from the graphic EQ gives the heavy riff its cutting, aggressive character. The JCM800 provides the gain platform; the DOD EQ shapes the frequencies. High mids, controlled treble.

How to Play It

The kill switch (momentarily cutting signal to create stutter rhythms) is central to Morello's style — install on any guitar with a toggle switch wired to cut the signal completely when engaged.

Achievable With

Any humbucker guitar + Boss XT-2 or RAT distortion + Boss GE-7 EQ (mid boost at 800Hz) + DigiTech Whammy. Kill switch effects can be approximated with a volume pedal set to click fully off.

Other Song Rigs

Bulls on Parade

Evil Empire · 1996

The most turntable-influenced guitar tone in rock — Morello mimics DJ scratching

View rig →
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