Zakk Wylde

Fire It Up

Zakk Wylde · Book of Shadows II · 2016

What Makes This Sound Unique

From Zakk's acoustic-focused Book of Shadows II — a heavy electric track within a predominantly acoustic album. The contrast is intentional: the electric guitar sounds louder and heavier precisely because the surrounding tracks are acoustic. The Marshall tone is essentially the same as his Ozzy period, but heard in a different sonic context.

  1. 1Gibson Les Paul (bullseye, bridge pickup)
  2. 2Marshall JCM800 or JVM (cranked)
  3. 3Dunlop ZW-45 Wylde Cry Baby Wah
Gain / Volume9
Bass7
Mid7
Treble7
Presence8

Full Zakk Wylde tone — high gain Marshall, pinch harmonics, aggressive pick attack. The context of an acoustic-heavy album makes this feel heavier than it would on a standard metal record.

How to Play It

Zakk's signature pinch harmonics — produced by lightly touching the string with the edge of the picking thumb immediately after the pick makes contact, creating a high-pitched harmonic squeal. Requires practice of precise thumb placement.

Achievable With

Les Paul → Marshall JCM800 or Boss MT-2 into any amp → Zakk Wylde Cry Baby Wah. The pinch harmonic technique is independent of gear — practice on any electric guitar to build the right-hand motion.

Adapt to My Amp

Other Song Rigs

No More Tears

No More Tears · 1991

Zakk's signature Les Paul Custom with EMG 81/85 active pickups into a Marshall J

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Farewell Ballad

Book of Shadows · 1996

Book of Shadows is an acoustic album — Zakk's departure from heavy metal produce

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Stillborn

The Blessed Hellride · 2003

Wylde at his heaviest post-Ozzy period — the Black Label Society sound is more S

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Pride & Glory

Pride & Glory · 1994

Zakk Wylde's Southern rock project — the Les Paul through a Marshall but with a

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Mama, I'm Coming Home

No More Tears · 1991

Zakk at his most restrained and melodic — a power ballad requiring clean chord s

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Berserker

Stronger Than Death · 2000

Black Label Society at their heaviest — a down-tuned drop-D riff machine that sh

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