Who Can I Sound Like With a PRS Custom 24 and Marshall JCM800?

Anatomically, this rig makes sense as a Eddie Van Halen approximation. The largest overlap comes from the combination of Guitar and Marshall JCM800. Key tonal traits include: brown-sound, warm-crunch, explosive. To move even closer, consider adding a MXR Phase 90 to close the remaining gap.

Dialled in correctly, this setup would make a lot of players think of Dave Mustaine. The foundation of the similarity is the combination of Guitar and Marshall JCM800. The resulting sound profile highlights: thrash, technical, aggressive. Several important elements align — the overall character is recognisably close.

Among all possible matches, Marty Friedman stands out because of how closely the tonal priorities align. Notable tonal fingerprints include: exotic-scales, vibrato-heavy, sustained-lead. The biggest reason for the match is the combination of Guitar and Marshall JCM800. The easiest upgrade path would be to add a TC Electronic Flashback 2 to close the remaining gap.

The match with Joe Satriani's tone is real, even if the rig isn't complete. Several important elements align — the overall character is recognisably close. The biggest reason for the match is the combination of Guitar and Marshall JCM800. Notable tonal fingerprints include: smooth, legato, singing.

This rig shares more DNA with Nuno Bettencourt's sound than it might first appear. The strongest contributor is the combination of Guitar and Marshall JCM800. This rig emphasises: funk-influenced, tapping, explosive. The largest remaining gap is a Dunlop GCB95 Cry Baby Wah to close the remaining gap.

The match is driven less by exact gear names and more by tonal behaviour. The resulting sound profile highlights: neoclassical-shred, cacophony, emotional-lead. The largest overlap comes from the combination of Guitar and Marshall JCM800. The easiest upgrade path would be to add a TC Electronic Flashback 2 to close the remaining gap.

Anatomically, this rig makes sense as a Buckethead approximation. The foundation of the similarity is the combination of Guitar and Marshall JCM800. Notable tonal fingerprints include: avant-garde, whammy-heavy, killswitch. To move even closer, consider adding a TC Electronic Flashback 2 to close the remaining gap.

Running Guitar into Marshall JCM800 gets you further into Paul Gilbert's world than most players expect. The resulting sound profile highlights: alternate-picking, precise, melodic. To move even closer, consider adding a Ibanez TS9 Tube Screamer to close the remaining gap. Several important elements align — the overall character is recognisably close.

Much of what made Tom Morello's tone distinctive can already be found in this rig. The foundation of the similarity is the combination of Guitar and Marshall JCM800. Shared sonic characteristics include: kill-switch, whammy-heavy, DJ-influenced. The largest remaining gap is a Dunlop GCB95 Cry Baby Wah to close the remaining gap.

Anatomically, this rig makes sense as a Scott Henderson approximation. The biggest reason for the match is the combination of Guitar and Marshall JCM800. This rig emphasises: jazz-rock-metal, aggressive-fusion, superstrat-precision. The easiest upgrade path would be to add a Ibanez TS9 Tube Screamer to close the remaining gap.