Boss · EQ

Boss GE-7 Graphic Equalizer Settings Guide

The Boss GE-7 is a 7-band graphic equalizer pedal with individual sliders for 100Hz, 200Hz, 400Hz, 800Hz, 1.6kHz, 3.2kHz, and 6.4kHz, plus a master Level control. It is one of the most widely used utility pedals in professional guitar rigs, used both as a standalone EQ tool and as a mid-boost for solos. Many players use the GE-7 as an alternative to a traditional boost pedal, cutting unwanted frequencies rather than simply adding volume. It is a fixture on thousands of touring and studio rigs across every genre.

Used by: Kurt Cobain

The best Boss GE-7 Graphic Equalizer settings start with: 100Hz at 0/10, 200Hz at 0/10, 400Hz at 0/10, 800Hz at 0/10, 1.6kHz at 0/10, 3.2kHz at 0/10, 6.4kHz at 0/10, Level at 0/10. Adjust from there based on your amp, guitar, and room volume. For Blues: 100Hz 1/10, 200Hz -1/10, 400Hz -2/10, 800Hz 3/10, 1.6kHz 1/10, 3.2kHz 2/10, 6.4kHz 0/10, Level 2/10.

What Each Control Does

100Hz
-15dB
+15dB
Sub-bass and fundamental bass frequencies. Cutting here reduces muddiness; boosting adds warmth and weight.
200Hz
-15dB
+15dB
Low-mid bass body. The "muddiness" zone — small cuts here clean up complex chords significantly.
400Hz
-15dB
+15dB
Upper bass / lower midrange. The "boxiness" zone — cutting here opens up the tone and adds clarity.
800Hz
-15dB
+15dB
Core midrange — the most critical frequency range for guitar presence. Boosting here improves cut through a mix.
1.6kHz
-15dB
+15dB
Upper midrange — the "nasal" or "honk" zone. Small cuts remove harshness; boosts add articulation.
3.2kHz
-15dB
+15dB
Presence and attack. Boosting adds note definition and pick attack clarity.
6.4kHz
-15dB
+15dB
High-frequency air and sizzle. Boosting adds brightness and sparkle; cutting removes harsh digital-sounding top end.
Level
Cut
Boost
Master output level — allows the GE-7 to act as a solo boost even with flat EQ curve.

Recommended Starting Settings

Safe starting positions for any style. Adjust from here based on your amp and room.

0
100Hz
0
200Hz
0
400Hz
0
800Hz
0
1.6kHz
0
3.2kHz
0
6.4kHz
0
Level

All values on a 0–10 scale. These are starting points — fine-tune by ear.

Settings by Genre

Blues
100Hz1
200Hz-1
400Hz-2
800Hz3
1.6kHz1
3.2kHz2
6.4kHz0
Level2

Mid-forward EQ curve for blues — boost 800Hz (+3dB) and 3.2kHz (+2dB) for vocal presence and pick attack. Cut 400Hz (-2dB) to remove boxiness. The slight Level boost (+2dB) makes the GE-7 double as a clean solo boost. This curve works on any amp to push it toward blues territory.

Metal
100Hz2
200Hz-2
400Hz-3
800Hz-4
1.6kHz-3
3.2kHz2
6.4kHz2
Level3

Classic metal mid-scoop — cut 400Hz through 1.6kHz heavily (-3 to -4dB) for the scooped character of 90s metal tones. Boost 100Hz (+2dB) for low-end weight. Boost 3.2kHz and 6.4kHz for aggression and note definition. The GE-7 mid-scoop is a classic technique for adding a "studio EQ" character to live amp tones.

Classic Rock
100Hz0
200Hz-1
400Hz-1
800Hz2
1.6kHz2
3.2kHz1
6.4kHz0
Level2

Gentle mid-boost for classic rock punch. Lift 800Hz and 1.6kHz for the presence and cut-through that classic rock rhythm requires. Small cuts at 200Hz and 400Hz clean up muddiness without affecting the warmth. The Level boost makes the GE-7 a transparent solo level lift.

Jazz
100Hz2
200Hz1
400Hz0
800Hz-1
1.6kHz-2
3.2kHz-3
6.4kHz-3
Level0

Warm, dark jazz tone — cut the top end significantly (3.2kHz and 6.4kHz at -3dB) for a round, smooth character. Boost the low frequencies slightly for body. This EQ curve removes the upper-frequency sizzle that is inappropriate for jazz. Works best with humbuckers and a clean amp.

Country
100Hz-1
200Hz-2
400Hz-1
800Hz1
1.6kHz2
3.2kHz3
6.4kHz2
Level1

Bright, twangy country EQ — boost the upper-mid and high frequencies for the sparkle and note definition that chicken-picking requires. Cut 200Hz to avoid muddiness. The boosted top end (3.2kHz +3dB, 6.4kHz +2dB) gives Telecaster-style brightness even from a darker-sounding guitar.

Artist Settings

Documented settings used by professional guitarists on this unit.

100Hz0
200Hz-2
400Hz-3
800Hz-2
1.6kHz0
3.2kHz2
6.4kHz1
Level2

Cobain reportedly used a GE-7 to boost his signal into his Fender Bassman and Twin setups. His approach was a moderate mid-cut to carve space in a band context, with a Level boost for the distortion channel. The exact curve is undocumented but this approximation captures the scooped grunge character.

Tips & Common Mistakes

  • Use the GE-7 as a clean solo boost with flat EQ (all sliders at 0) and only the Level raised — this is the simplest and most transparent boost available.
  • The "mid-scoop" setting (cut 400Hz through 1.6kHz, boost high and low) is a classic metal technique and can be applied to any amp to approximate the modern metal studio sound.
  • Place the GE-7 in the amp's effects loop for EQ that affects only the power amp stage — this produces a different, often more useful effect than placing it before the amp input.
  • The GE-7 is known for adding a slight hiss at high gain settings. Use a noise gate pedal after it in the chain to manage this in high-gain applications.

Boss GE-7 Graphic Equalizer — Common Questions

Best starting settings for Boss GE-7 Graphic Equalizer: 100Hz at 0/10, 200Hz at 0/10, 400Hz at 0/10, 800Hz at 0/10, 1.6kHz at 0/10, 3.2kHz at 0/10, 6.4kHz at 0/10, Level at 0/10. Adjust from there based on your guitar, room, and playing style.

For Blues: 100Hz 1/10, 200Hz -1/10, 400Hz -2/10, 800Hz 3/10, 1.6kHz 1/10, 3.2kHz 2/10, 6.4kHz 0/10, Level 2/10. Mid-forward EQ curve for blues — boost 800Hz (+3dB) and 3.2kHz (+2dB) for vocal presence and pick attack. Cut 400Hz (-2dB) to remove boxiness. The slight Level boost (+2dB) makes the GE-7 double as a clean solo boost. This curve works on any amp to push it toward blues territory.

For Metal: 100Hz 2/10, 200Hz -2/10, 400Hz -3/10, 800Hz -4/10, 1.6kHz -3/10, 3.2kHz 2/10, 6.4kHz 2/10, Level 3/10. Classic metal mid-scoop — cut 400Hz through 1.6kHz heavily (-3 to -4dB) for the scooped character of 90s metal tones. Boost 100Hz (+2dB) for low-end weight. Boost 3.2kHz and 6.4kHz for aggression and note definition. The GE-7 mid-scoop is a classic technique for adding a "studio EQ" character to live amp tones.

100Hz: Sub-bass and fundamental bass frequencies. Cutting here reduces muddiness; boosting adds warmth and weight. (-15dB to +15dB). 200Hz: Low-mid bass body. The "muddiness" zone — small cuts here clean up complex chords significantly. (-15dB to +15dB). 400Hz: Upper bass / lower midrange. The "boxiness" zone — cutting here opens up the tone and adds clarity. (-15dB to +15dB). 800Hz: Core midrange — the most critical frequency range for guitar presence. Boosting here improves cut through a mix. (-15dB to +15dB). 1.6kHz: Upper midrange — the "nasal" or "honk" zone. Small cuts remove harshness; boosts add articulation. (-15dB to +15dB). 3.2kHz: Presence and attack. Boosting adds note definition and pick attack clarity. (-15dB to +15dB). 6.4kHz: High-frequency air and sizzle. Boosting adds brightness and sparkle; cutting removes harsh digital-sounding top end. (-15dB to +15dB). Level: Master output level — allows the GE-7 to act as a solo boost even with flat EQ curve. (Cut to Boost)

Use the GE-7 as a clean solo boost with flat EQ (all sliders at 0) and only the Level raised — this is the simplest and most transparent boost available. The "mid-scoop" setting (cut 400Hz through 1.6kHz, boost high and low) is a classic metal technique and can be applied to any amp to approximate the modern metal studio sound. Place the GE-7 in the amp's effects loop for EQ that affects only the power amp stage — this produces a different, often more useful effect than placing it before the amp input. The GE-7 is known for adding a slight hiss at high gain settings. Use a noise gate pedal after it in the chain to manage this in high-gain applications.

Kurt Cobain settings: 100Hz 0/10, 200Hz -2/10, 400Hz -3/10, 800Hz -2/10, 1.6kHz 0/10, 3.2kHz 2/10, 6.4kHz 1/10, Level 2/10. Cobain reportedly used a GE-7 to boost his signal into his Fender Bassman and Twin setups. His approach was a moderate mid-cut to carve space in a band context, with a Level boost for the distortion channel. The exact curve is undocumented but this approximation captures the scooped grunge character.

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