Strymon · Modulation

Strymon Ola Chorus/Vibrato Settings Guide

The Strymon Ola is a stereo chorus and vibrato pedal with seven distinct algorithms — standard Chorus, Vibrato, CE-1 style, Flange, Vintage Chorus, Ensemble, and Harmonic Tremolo. It uses the same DSP platform as the Strymon Mobius but in a compact single-effect format focused on chorus and vibrato applications.

The best Strymon Ola Chorus/Vibrato settings start with: Rate at 4/10, Depth at 4/10, Mix at 5/10, Mode at 2/10. Adjust from there based on your amp, guitar, and room volume. For Clean / Ambient: Rate 3/10, Depth 4/10, Mix 5/10, Mode 2/10.

What Each Control Does

Rate
Slow
Fast
LFO rate — speed of modulation.
Depth
Mild
Full
Modulation depth — how far the pitch/time is modulated.
Mix
Dry
Wet
Chorus wet/dry blend.
Mode
CE
Ensemble
Algorithm selection — CE-1, Chorus, Vibrato, Vintage, Ensemble, Flange, HarmoTrem.

Recommended Starting Settings

Safe starting positions for any style. Adjust from here based on your amp and room.

4
Rate
4
Depth
5
Mix
2
Mode

All values on a 0–10 scale. These are starting points — fine-tune by ear.

Settings by Genre

Clean / Ambient
Rate3
Depth4
Mix5
Mode2

Standard Chorus mode at slow Rate — the Ola's Chorus algorithm for clean ambient and pop guitar. Slow Rate produces a wide, spacious chorus that adds dimension without obvious pitch wobble. Mix 5 blends chorus evenly with the dry signal. Depth 4 produces noticeable but not excessive modulation depth.

Indie / Shoegaze
Rate4
Depth6
Mix7
Mode5

Vintage mode at higher Depth and Mix — the Ola's Vintage Chorus algorithm for indie and shoegaze guitar. At higher Mix and Depth the vintage character adds the lush, slightly warped chorus of older analog circuit designs. Rate 4 produces a moderately fast vintage chorus.

Country (Vibrato)
Rate5
Depth5
Mix9
Mode3

Vibrato mode at full Mix — true vibrato (pitch modulation only, no dry signal) for country steel-style vibrato effect. At Mix 9 in Vibrato mode the Ola produces a pronounced pitch vibrato. Rate 5 and Depth 5 produce a musically useful vibrato speed and depth for country playing.

Funk / R&B (CE-1 style)
Rate3
Depth5
Mix6
Mode1

The CE-1 algorithm models the original Roland Chorus Ensemble circuit, giving a warmer, more vintage character than the standard Chorus mode, useful for period-accurate funk and soul clean tones.

Ambient (HarmoTrem)
Rate3
Depth6
Mix6
Mode7

HarmoTrem mode splits the signal into harmonic bands modulated out of phase, producing a more complex, swirling texture than standard tremolo or chorus, well suited to slow ambient passages.

Tips & Common Mistakes

  • Ensemble mode produces a multi-voice chorus that simulates multiple chorus instances simultaneously — it is particularly effective in stereo where the ensemble character widens significantly. Ensemble at low Rate and moderate Depth adds an orchestral string-like quality to sustained clean guitar tones.
  • The seven algorithm modes are genuinely distinct circuits, not variations on a single chorus — CE-1 and Vintage in particular are voiced to emulate specific vintage hardware rather than a generic modern chorus sound.
  • Mix and Depth interact differently across modes — a Mix setting that sounds subtle in Chorus mode may sound much more pronounced in Vibrato mode, since Vibrato removes the dry signal entirely at high Mix values.
  • Running this pedal in true stereo, through two amps or a stereo interface, reveals meaningfully more of the character of the Ensemble and vintage-modeled modes than a mono signal path can reproduce.
  • For players unfamiliar with the difference between chorus and true vibrato, auditioning Vibrato mode at a high Mix setting specifically demonstrates the distinction: pitch modulation alone, with no blended dry signal creating a chorus effect.

Strymon Ola Chorus/Vibrato — Common Questions

Best starting settings for Strymon Ola Chorus/Vibrato: Rate at 4/10, Depth at 4/10, Mix at 5/10, Mode at 2/10. Adjust from there based on your guitar, room, and playing style.

For Clean / Ambient: Rate 3/10, Depth 4/10, Mix 5/10, Mode 2/10. Standard Chorus mode at slow Rate — the Ola's Chorus algorithm for clean ambient and pop guitar. Slow Rate produces a wide, spacious chorus that adds dimension without obvious pitch wobble. Mix 5 blends chorus evenly with the dry signal. Depth 4 produces noticeable but not excessive modulation depth.

For Indie / Shoegaze: Rate 4/10, Depth 6/10, Mix 7/10, Mode 5/10. Vintage mode at higher Depth and Mix — the Ola's Vintage Chorus algorithm for indie and shoegaze guitar. At higher Mix and Depth the vintage character adds the lush, slightly warped chorus of older analog circuit designs. Rate 4 produces a moderately fast vintage chorus.

Rate: LFO rate — speed of modulation. (Slow to Fast). Depth: Modulation depth — how far the pitch/time is modulated. (Mild to Full). Mix: Chorus wet/dry blend. (Dry to Wet). Mode: Algorithm selection — CE-1, Chorus, Vibrato, Vintage, Ensemble, Flange, HarmoTrem. (CE to Ensemble)

Ensemble mode produces a multi-voice chorus that simulates multiple chorus instances simultaneously — it is particularly effective in stereo where the ensemble character widens significantly. Ensemble at low Rate and moderate Depth adds an orchestral string-like quality to sustained clean guitar tones. The seven algorithm modes are genuinely distinct circuits, not variations on a single chorus — CE-1 and Vintage in particular are voiced to emulate specific vintage hardware rather than a generic modern chorus sound. Mix and Depth interact differently across modes — a Mix setting that sounds subtle in Chorus mode may sound much more pronounced in Vibrato mode, since Vibrato removes the dry signal entirely at high Mix values. Running this pedal in true stereo, through two amps or a stereo interface, reveals meaningfully more of the character of the Ensemble and vintage-modeled modes than a mono signal path can reproduce. For players unfamiliar with the difference between chorus and true vibrato, auditioning Vibrato mode at a high Mix setting specifically demonstrates the distinction: pitch modulation alone, with no blended dry signal creating a chorus effect.

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