Albert Lee

Hiding

Albert Lee · Hiding · 1979

What Makes This Sound Unique

The title track of Lee's breakthrough album — a melodic country-rock piece that shows his British pop sensibility alongside the American country technique. The tone is slightly warmer than Country Boy, with a hint of natural amp drive that rounds the edges of the Telecaster's brightness.

  1. 1Music Man Albert Lee / Fender Telecaster
  2. 2Fender Twin Reverb (slightly pushed)
Gain / Volume3
Bass5
Mid7
Treble8

Slightly warmer than Country Boy — Hiding has a more song-oriented approach, using the guitar to serve the melody rather than showcase technique. A touch of natural amp drive softens the extreme Tele brightness.

How to Play It

Song-first country lead phrasing — unlike the pure technique showcase of Country Boy, Hiding uses melodic phrasing derived from the song's own melody. Albert plays lead lines that refer back to the vocal melody rather than departing entirely into pentatonic territory.

Achievable With

Telecaster → Fender Deluxe Reverb at moderate volume → the melodic approach requires singing the tune in your head while you play: each improvised phrase should feel like a possible vocal line.

Adapt to My Amp

Other Song Rigs

Country Boy

Hiding · 1979

Albert Lee's signature track and the definitive showcase of his chicken-pickin'

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A Little Ray of Sunshine

Speechless · 1986

From Lee's 1986 solo album produced by Dave Edmunds — a bright, pop-country trac

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Sweet Little Mystery

Albert Lee · 1979

Classic British country-rock — Lee's Telecaster produces the definitive British

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My Baby Left Me

Hiding · 1979

Raw rockabilly energy — Lee plays the Presley/Crudup classic with the right-hand

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Be-Bop-A-Lula

Live (various) · 1980

Joyful and loose — Lee plays this Gene Vincent classic as a showcase for his voc

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