Angus Young

Highway to Hell

Angus Young · Highway to Hell · 1979

What Makes This Sound Unique

The Bon Scott-era AC/DC tone: slightly more open and less compressed than Back in Black. The Marshall is still cranked but the recording sounds airier, with Malcolm's rhythm guitar locking in to create the groove.

  1. 1Gibson SG Standard (bridge pickup)
  2. 2Marshall Super Lead 100W
  3. 3Marshall 4×12"
Gain / Volume10
Bass7
Mid6
Treble7
Presence6

Mids slightly lower than Back in Black — the Highway to Hell production has a looser, more rock-and-roll feel. Malcolm Young's rhythm guitar fills the mid-frequency space; Angus cuts through on top.

How to Play It

The A-D-G chord pattern uses full downstrokes on the beats — count the riff as a groove, not as individual chord stabs.

Achievable With

Any Marshall-voiced amp or pedal platform at high volume. The groove comes from the pick attack more than the gain setting.

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Back in Black · 1980

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