Buddy Guy

Slippin' In

Buddy Guy · Slippin' In · 1994

What Makes This Sound Unique

Grammy-winning comeback album — Buddy's 1994 tone is more polished than the Chess Records era, with modern production giving the Stratocaster a heavier, more saturated sound appropriate to the contemporary blues-rock market. This is the tone that introduced Buddy to a generation of listeners through his Damn Right, I've Got the Blues era.

  1. 1Fender Stratocaster (signature polka dot, bridge pickup)
  2. 2Fender Dual Professional or Tone Master (high volume)
  3. 3Ibanez Tube Screamer TS9 (light boost)
Gain / Volume6
Bass6
Mid7
Treble7
Presence7

The 1990s Buddy tone is slightly more processed than the Chess era — a TS9 boost adds harmonic density and the production is clearer. Still fundamentally a Fender amp and Strat interaction, just with more studio polish.

How to Play It

Feedback exploitation as expression — Buddy's 1990s live reputation involves extreme feedback use, and the studio recordings capture a more controlled version of this technique with sustained notes allowed to bloom into harmonic feedback.

Achievable With

Stratocaster → Ibanez TS9 (low gain, high volume) → Fender Blues Deluxe or Twin Reverb at high volume → stand close to amp for controlled feedback on sustained notes.

Adapt to My Amp

Other Song Rigs

Damn Right, I've Got the Blues

Damn Right, I've Got the Blues · 1991

Buddy Guy's commercial comeback at age 55 — a Stratocaster into a Fender Bassman

View rig →

Stone Crazy

Stone Crazy! · 1981

Earlier Buddy Guy through a rougher, more vintage-flavoured setup — a small Fend

View rig →

Feels Like Rain

Damn Right, I've Got the Blues · 1991

The most blues-standard performance on the album — a slow, heartfelt ballad wher

View rig →

Stone Crazy (Live)

I Was Walking Through the Woods (Live) · 1974

The early Buddy Guy recorded live — the Stratocaster into a Fender Super Reverb

View rig →

Sweet Little Angel

I Was Walking Through the Woods · 1970

Buddy at his most lyrical — a slow blues cover that shows the warmer, more contr

View rig →

Let Me Love You Baby

A Man and the Blues · 1968

Uptempo Chicago blues shuffle — Buddy's most aggressive Strat tone from the Ches

View rig →
← All Buddy Guy SongsSound Like Buddy GuyAmp Settings →