Dan Auerbach

Strange Times

Dan Auerbach · Attack & Release · 2008

What Makes This Sound Unique

Psychedelic, fuzz-drenched departure — Attack & Release saw the Black Keys working with Danger Mouse and reaching for a wider sonic palette. Strange Times features a thick, woolly fuzz tone from an Electro-Harmonix Big Muff with a detuned quality, almost like a baritone guitar through an overdose of fuzz.

  1. 1Silvertone or Harmony guitar (vintage neck pickup)
  2. 2Electro-Harmonix Big Muff Pi
  3. 3Fender amp (clean platform)
Gain / Volume3
Bass7
Mid5
Treble5
Reverb4

The amp is kept relatively clean — all the gain comes from the Big Muff. Bass high for the woolly, bottom-heavy fuzz character. The combination of a vintage single-coil guitar, Big Muff and clean amp creates the specific textured fuzz quality.

How to Play It

Loose, rhythmically non-precise strumming into the fuzz — the imprecision is intentional and part of the psychedelic aesthetic. Notes blur into each other through fuzz saturation. Slide used on some passages for additional pitch smearing.

Achievable With

Vintage single-coil guitar (Squier Classic Vibe Strat works) → EHX Big Muff Pi → any clean amp with bass pushed.

Adapt to My Amp

Other Song Rigs

Lonely Boy

El Camino · 2011

El Camino marked the Black Keys's commercial breakthrough and Auerbach's most po

View rig →

Tighten Up

Brothers · 2010

Brothers was a stripped-back, deliberately lo-fi album recorded in a historic Mu

View rig →

Howlin' for You

Brothers · 2010

Howlin' for You has a slightly more aggressive guitar tone than Tighten Up — the

View rig →

Gold on the Ceiling

El Camino · 2011

Hard-driving two-piece blues rock at its most anthemic — El Camino was a sonic s

View rig →

She's Long Gone

Brothers · 2010

Lo-fi, raw blues rock — Brothers was famously recorded in a short time in a shar

View rig →
← All Dan Auerbach SongsSound Like Dan AuerbachAmp Settings →