Dave Navarro

Been Caught Stealing

Dave Navarro · Ritual de lo Habitual · 1990

What Makes This Sound Unique

Jane's Addiction's most radio-friendly track features Navarro's layered guitar approach — a base of semi-clean rhythm guitar with wah-filtered single-note lines weaving through the arrangement. The tone is simultaneously raw and studio-polished, with a lo-fi funk feel uncommon in alternative rock.

  1. 1Gibson Les Paul Custom (bridge pickup)
  2. 2Dunlop Cry Baby Wah
  3. 3Marshall JCM800
  4. 4Boss CE-2 Chorus (on rhythm tracks)
Gain / Volume6
Bass7
Mid7
Treble7
Presence5

Medium gain with the wah providing the tonal movement. The JCM800 crunch is the backbone — Navarro rarely uses pedals for distortion, preferring the amp to be the primary gain source.

How to Play It

Wah used as a rhythm filter rather than a solo effect — held in specific positions or rocked slowly to follow chord changes, creating a vowel-like quality over strummed rhythm parts.

Achievable With

Gibson Les Paul or SG → Dunlop Cry Baby → Marshall JCM800 or any mid-gain British amp → Boss CE-2 Chorus on the rhythm layers.

Adapt to My Amp

Other Song Rigs

Mountain Song

Nothing's Shocking · 1988

The defining Jane's Addiction riff — a drop-D-influenced power chord sequence pl

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Three Days

Ritual de lo Habitual · 1990

A ten-minute psychedelic rock epic featuring Navarro's most textural and layered

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Ocean Size

Nothing's Shocking · 1988

Jane's Addiction's debut album opener — Navarro's most riff-driven and heavy rec

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Classic Girl

Ritual de lo Habitual · 1990

The Ritual album's closing track and one of Jane's Addiction's most beautiful so

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Stop!

Nothing's Shocking · 1988

Jane's Addiction at their most punk-influenced — the shortest and most aggressiv

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