Dave Navarro

Three Days

Dave Navarro · Ritual de lo Habitual · 1990

What Makes This Sound Unique

A ten-minute psychedelic rock epic featuring Navarro's most textural and layered guitar work — multiple tracks of clean, effected guitar create a swirling, immersive sound that shifts between tranquil and explosive. The tonal range within this single track is wider than most guitarists achieve across an entire album.

  1. 1Gibson Les Paul Custom (neck and bridge blend)
  2. 2Fender Twin Reverb (clean sections)
  3. 3Marshall JCM800 (heavy sections)
  4. 4Boss CE-2 Chorus + ProCo RAT Distortion
  5. 5Electro-Harmonix Memory Man Delay
Gain / Volume5
Bass6
Mid7
Treble7
Reverb6

Clean sections use the Twin Reverb for shimmer and space; heavy sections switch to the JCM800. Using two amps or a wet/dry rig replicates both tonal characters live.

How to Play It

Sustained, slowly evolving chord textures in the quiet sections — pick lightly near the neck and let the chorus and reverb blur individual note attacks into a wash of sound.

Achievable With

Les Paul → Vox AC30 clean or Fender Blues Junior → EHX Small Clone chorus + Memory Man or Carbon Copy delay → ProCo RAT for the heavy transitions.

Adapt to My Amp

Other Song Rigs

Been Caught Stealing

Ritual de lo Habitual · 1990

Jane's Addiction's most radio-friendly track features Navarro's layered guitar a

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Mountain Song

Nothing's Shocking · 1988

The defining Jane's Addiction riff — a drop-D-influenced power chord sequence pl

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Ocean Size

Nothing's Shocking · 1988

Jane's Addiction's debut album opener — Navarro's most riff-driven and heavy rec

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Classic Girl

Ritual de lo Habitual · 1990

The Ritual album's closing track and one of Jane's Addiction's most beautiful so

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Stop!

Nothing's Shocking · 1988

Jane's Addiction at their most punk-influenced — the shortest and most aggressiv

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