Dimebag Darrell

Cemetery Gates

Dimebag Darrell · Cowboys from Hell · 1990

What Makes This Sound Unique

Cemetery Gates contains Dimebag's most emotional and dynamic playing — the clean intro section uses a direct, crystalline clean tone with reverb that is completely at odds with the band's heavy image, while the climactic solo section showcases his lyrical melodic approach alongside the technical fireworks. The outro solo ascending run into feedback is one of the most goosebump-inducing moments in metal guitar.

  1. 1Dean ML
  2. 2Randall RG100ES (clean and high-gain channels)
  3. 3Korg SDD-3000 digital delay
  4. 4MXR Phase 90
Gain / Volume2
Bass5
Mid6
Treble7
Presence6

The intro clean tone uses the Randall's clean channel with reverb — surprisingly pristine for a band of Pantera's heaviness. The delay on the solo section is set at a moderate dotted-eighth-style timing.

How to Play It

The legato approach in the melodic solo sections contrasts with the aggressive picking technique of the rhythm work — Dimebag could shift between technically demanding alternate picking and smooth hammer-on/pull-off runs seamlessly.

Achievable With

Clean channel into any reverb pedal for the intro. The solo tone needs a high-gain setup with a delay (dotted-eighth note timing) for the outro.

Adapt to My Amp

Other Song Rigs

Mouth for War

Vulgar Display of Power · 1992

The opening track of Vulgar Display of Power established Dimebag's rig as the de

View rig →

Walk

Vulgar Display of Power · 1992

Walk's main riff is one of the most recognisable in metal history — a low, slow,

View rig →
← All Dimebag Darrell SongsSound Like Dimebag DarrellAmp Settings →