Eric Clapton

White Room

Eric Clapton · Wheels of Fire · 1968

What Makes This Sound Unique

Wah-filtered cream-era psychedelic blues — the wah pedal stays in a fixed "cocked" position for the intro and verse, creating that iconic filtered mid-peak rather than sweeping. When the solo arrives the wah opens up. The Marshall Bluesbreaker or Super Lead at near-full volume delivers the thick, velvet sustain.

  1. 1Gibson SG / ES-335 (bridge-neck pickup blend)
  2. 2Vox Cry Baby Wah (cocked position for verses)
  3. 3Marshall Super Lead 100W (cranked)
Gain / Volume10
Bass7
Mid6
Treble7
Presence7

Amp cranked — the power amp saturation is the primary gain source. Wah cocked at the mid-peak position for the verse adds the nasal, vocal quality without the sweeping motion. The long sustain notes in the solo need the amp at full tilt.

How to Play It

Hold the wah stationary in the mid-cocked position for verses — do not sweep it. For the solo, use slow, deliberate sweeps rather than fast funk-style movement.

Achievable With

Any wah pedal cocked at the toe-down mid position into a cranked Blues Junior or JVM with gain at 8. The cocked-wah technique is the entire trick here.

Adapt to My Amp

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