Freddie King

I Love the Woman

Freddie King · Let's Hide Away and Dance Away · 1961

What Makes This Sound Unique

A fast Chicago blues shuffle — the Fed King tone uses his Les Paul goldtop into the Gibson amp with a metal fingerpick on the index finger (his trademark technique). The metal pick gives his tone a sharper, brighter attack than a plastic pick or bare finger, and the goldtop's P90s provide the gritty, mid-forward character.

  1. 1Gibson Les Paul Goldtop (P90 pickups)
  2. 2Gibson GA-40 amplifier
  3. 3Metal fingerpick on index finger (right hand)
Gain / Volume5
Bass6
Mid8
Treble7

The Gibson amp rather than a Fender — Freddie King's tone has a distinctly different character from the Fender-using Texas bluesmen. The GA-40 has a strong, forward midrange that emphasises the P90's natural vocal quality.

How to Play It

Metal fingerpick technique — Freddie King wore a metal thumbpick on his thumb and a plastic fingerpick on his index finger, attacking the strings with more force than bare fingers. This produces a harder, more defined attack that makes single-note runs cut through the arrangement.

Achievable With

Les Paul with P90 pickups (or PAF humbuckers, the P90 character is important) → any mid-forward amp → metal thumbpick + plastic fingerpick right-hand technique. The metal fingerpick is the defining tonal element of Freddie King's sound.

Adapt to My Amp

Other Song Rigs

Hide Away

Freddie King Sings · 1961

The most influential blues instrumental of the early 1960s — covered by John May

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Have You Ever Loved a Woman

Let's Hide Away and Dance Away · 1961

Slow blues majesty — Freddie King at his most emotionally powerful. The slow 12/

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Going Down

Getting Ready · 1971

Freddie King's signature riff-based hard blues — Going Down was covered by Gary

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Sen-Sa-Shun

Let's Hide Away and Dance Away · 1961

Freddie King's second most famous instrumental (after Hideaway) — a slightly slo

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Same Old Blues

Burglar · 1974

Late-career Freddie King with Leon Russell producing — the 1974 tone is heavier

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