Freddie King

Sen-Sa-Shun

Freddie King · Let's Hide Away and Dance Away · 1961

What Makes This Sound Unique

Freddie King's second most famous instrumental (after Hideaway) — a slightly slower, more melodic track from the same 1961 session. The tone has more warmth than the uptempo shuffle tracks, showing the Les Paul goldtop's ability to produce a singing, sustained quality at moderate gain.

  1. 1Gibson Les Paul Goldtop (P90s, neck pickup blend)
  2. 2Gibson GA-40
  3. 3Metal fingerpick technique
Gain / Volume5
Bass6
Mid8
Treble6

Slightly warmer than I Love the Woman — the neck pickup provides a rounder tone for the more melodic phrases in Sen-Sa-Shun. The slower tempo allows more sustain on individual notes.

How to Play It

Melodic single-note blues with vibrato — the slower tempo of Sen-Sa-Shun gives Freddie King room to demonstrate his expressive vibrato, a wide, arm-based movement that sustains notes longer than simple wrist vibrato.

Achievable With

Les Paul with P90s or PAFs → Gibson-style amp (or Fender at medium settings) → metal fingerpick → practice wide, arm-based vibrato: the vibrato motion comes from the elbow rotating rather than the wrist alone.

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Other Song Rigs

Hide Away

Freddie King Sings · 1961

The most influential blues instrumental of the early 1960s — covered by John May

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Have You Ever Loved a Woman

Let's Hide Away and Dance Away · 1961

Slow blues majesty — Freddie King at his most emotionally powerful. The slow 12/

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Going Down

Getting Ready · 1971

Freddie King's signature riff-based hard blues — Going Down was covered by Gary

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I Love the Woman

Let's Hide Away and Dance Away · 1961

A fast Chicago blues shuffle — the Fed King tone uses his Les Paul goldtop into

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Same Old Blues

Burglar · 1974

Late-career Freddie King with Leon Russell producing — the 1974 tone is heavier

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