Gary Clark Jr

• Two-amp setup: clean Fender and breaking-up Vox blended gives width and harmonic complexity
• Wah pedal rocked slowly mid-phrase — Clark uses it as a filter, not a wah-wah effect
• Semi-hollow body resonance is essential — a solid body won't breathe the same way
• Guitar volume at 7 for clean; open at 10 for fuzz — the pedals respond to your volume knob
• Big Muff gain around 7–8, tone at 5 — enough fuzz without losing mid presence
• Thumb attack (no pick for some phrases) produces a rounder, warmer note on the low strings
• Vibrato is slow and wide, applied after the initial attack — Texan blues phrasing
• Study "Bright Lights" and "Numb" for the range from clean funk to heavy fuzz
• Spring reverb from the amp (not a pedal) gives the depth without washing the clarity

Gary Clark Jr bridges the electric blues tradition and modern rock with a tone that spans pristine clean to wall-of-fuzz. His Epiphone Casino or ES-335 through a Fender Super Reverb and Vox AC30 delivers an expressive, wah-soaked blues-rock vocabulary that references Hendrix, SRV and BB King simultaneously.