Gary Clark Jr

Grinder

Gary Clark Jr · Bright Lights EP · 2011

What Makes This Sound Unique

A funk-blues hybrid that shows Gary's rhythmic side — the tone is cleaner and more percussive than Bright Lights, with the ES-335 used for sharp, clipped chord stabs rather than singing leads. The groove is the primary element, and the guitar tone serves the pocket rather than dominating it.

  1. 1Gibson ES-335 (bridge pickup, volume 7)
  2. 2Fender Super Reverb (moderate volume)
  3. 3Dunlop Cry Baby Wah (rhythm filter technique)
Gain / Volume4
Bass6
Mid7
Treble7
Presence5

Cleaner than Bright Lights — bridge pickup adds definition and cut. The wah is used as a rhythmic filter rather than a lead tool, positioned and rocked slowly to emphasise the funk groove.

How to Play It

Wah as rhythmic accent — Gary positions the wah at a consistent "cocked" position during chord stabs, creating a vowel-like filter effect on each hit without rocking the pedal through a full sweep.

Achievable With

ES-335 bridge pickup → Dunlop Cry Baby Wah (half-cocked) → any Fender-style clean amp. The key is light picking and consistent wah position, not full sweep wah technique.

Adapt to My Amp

Other Song Rigs

Ain't Messin 'Round

Blak and Blu · 2012

The defining Gary Clark Jr. up-tempo tone — ES-335 into a Fender Super Reverb wi

View rig →

When My Train Pulls In

Blak and Blu · 2012

Clark's heaviest Blak and Blu tone — slow, grinding blues with full Big Muff eng

View rig →

This Land

This Land · 2019

The heaviest, most overtly psychedelic Clark tone — a chunky, down-tuned fuzz ri

View rig →

Our Love

Blak and Blu · 2012

The funkier, soul-influenced side of Clark — the ES-335 through a cleaner Fender

View rig →

Numb

Gary Clark Jr. Live · 2014

The live version of Numb extends into a psychedelic fuzz freakout far beyond the

View rig →

Bright Lights

Bright Lights EP · 2011

Gary's breakthrough slow blues — a showcase of fat, singing ES-335 tone with nat

View rig →
← All Gary Clark Jr SongsSound Like Gary Clark JrAmp Settings →