Gary Moore

Cold Day in Hell

Gary Moore · Blues for Greeny · 1995

What Makes This Sound Unique

From Gary's tribute to Peter Green — using Peter's actual 1959 Les Paul, Gary captures the out-of-phase pickup mystery of the original Green Strat. The tone is darker and more compressed than Gary's own Les Paul sound, with the wired-out-of-phase middle/neck position producing the characteristic thin, nasal tone.

  1. 1Peter Green's 1959 Gibson Les Paul (middle/neck blend, out-of-phase humbuckers)
  2. 2Fender Bassman or clean Fender amp
  3. 3Light studio reverb
Gain / Volume4
Bass6
Mid7
Treble6
Reverb3

Peter Green's Les Paul has a uniquely wired out-of-phase humbuckers that produces a thin, quacky character unlike any other Les Paul. Gary used the actual guitar for Blues for Greeny, making the tone almost impossible to replicate without it.

How to Play It

Peter Green fingerstyle approach rather than Gary's own technique — Gary consciously adopts Green's lighter touch and restrained vibrato for the tribute album, subordinating his own aggressive style to honour the original.

Achievable With

Les Paul with one humbucker reversed in phase (DIY modification) or any single-coil guitar in the middle position → clean Fender amp → light spring reverb. The out-of-phase character is the defining tonal element.

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Other Song Rigs

Still Got the Blues

Still Got the Blues · 1990

The definitive Gary Moore blues tone — a 1959 Gibson Les Paul Standard through a

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Parisienne Walkways

Back on the Streets · 1978

Moore's breakthrough solo — recorded with Phil Lynott of Thin Lizzy. The tone is

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Oh Pretty Woman

Blues for Greeny · 1995

Blues for Greeny was Moore's tribute to Peter Green, his predecessor in Fleetwoo

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Whiskey in the Jar

Thin Lizzy (Live and Dangerous era) · 1976

Gary Moore with Thin Lizzy — the Les Paul through the Marshall in a classic Iris

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Empty Rooms

Victims of the Future · 1983

Gary's rock ballad tone before his full blues conversion — clean chord strumming

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The Loner

Wild Frontier · 1987

Gary's Celtic-influenced hard rock at its most anthemic — a driving Les Paul rif

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