Gary Moore

• Wide, slow-starting vibrato that gradually increases in width — mimics a singer's natural swell
• Extreme string bends — Moore bent strings further than almost any other player
• Bridge pickup for scorching leads; neck pickup for smoother, BB King-influenced phrases
• Boss SD-1 as clean boost (gain low, level high) — pushes amp into natural saturation
• Marshall EQ: bass 6, mid 7, treble 6 — mid-forward, not scooped
• Pick hard and then control the note — dynamics come from attack, not the amp
• Blues phrasing over hard rock backing creates the emotional tension central to Moore's style
• Tremolo arm for occasional dive bomb effects — but used sparingly vs pure vibrato
• Study "Still Got The Blues" and "Parisienne Walkways" for the definitive slow-blues approach

Gary Moore combined hard rock technique with the raw emotion of BB King and Albert King to produce one of the most powerful and expressive blues-rock tones ever recorded. His Les Paul through a Marshall delivered screaming vibrato and unrestrained string bends that sounded more like crying than playing.