George Benson

Beyond the Sea

George Benson · 20/20 · 1985

What Makes This Sound Unique

Silky and romantic — Benson's smooth jazz tone at its most accessible. The archtop warmth pairs with light studio reverb to create an intimate, cabaret-style sound that prioritises note-to-note legato connection over attack.

  1. 1Gibson L-5CES or ES-175 (neck pickup)
  2. 2Polytone Mini-Brute
  3. 3Studio hall reverb
Gain / Volume1
Bass6
Mid7
Treble5
Reverb5

Absolute minimum gain — the Polytone is transparent. The hall reverb fills the space that a rhythm section would normally occupy when playing solo or in a small combo context.

How to Play It

Legato single-note melody with occasional chord punctuation — every phrase breathes with natural musical dynamics rather than technical displays.

Achievable With

Hollowbody or archtop → Roland JC-40 or Polytone clone → reverb pedal (TC Hall of Fame or Boss RV-6 on hall setting).

Adapt to My Amp

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Breezin' · 1976

The best-selling jazz album of 1976 and a defining document of smooth jazz — Ben

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This Masquerade

Breezin' · 1976

The Grammy-winning single from Breezin' — Benson's guitar tone on This Masquerad

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Give Me the Night

Give Me the Night · 1980

Quincy Jones's production of Benson's biggest pop hit — the guitar here is a rhy

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On Broadway

Weekend in L.A. · 1977

Soulful and processed — the live version adds a smooth, slightly chorused qualit

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Give Me the Night · 1981

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