Grant Green

Ain't It Funky Now

Grant Green · Alive! · 1970

What Makes This Sound Unique

Soul-jazz groove with a rounder, more percussive character than his hard bop work — Green adapts his single-note approach to James Brown-influenced rhythmic figures. The tone is still warm but the attack is more pronounced in the funky context.

  1. 1Gibson ES-330 or ES-335
  2. 2Jazz amplifier
Gain / Volume3
Bass6
Mid7
Treble6

Slightly brighter than his ballad settings to add rhythmic definition. The percussive funk context rewards a little more pick attack presence.

How to Play It

Rhythmic chord stabs on the upbeats between single-note runs — Green bridges the gap between bebop and funk rhythm guitar, anticipating the style that would define 1970s soul-jazz.

Achievable With

Semi-hollow (ES-335 or 330) → Polytone or clean combo → focus on rhythmic precision. The tone is warm but the technique is the essential element.

Adapt to My Amp

Other Song Rigs

Idle Moments

Idle Moments · 1963

The most beautiful slow-burn jazz guitar recording of the Blue Note era — Grant

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Green Street

Green Street · 1961

Grant Green's organ-guitar format debut — a small group record that established

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Grantstand

Grantstand · 1961

Grant Green's most energetic early Blue Note recording — the brisk tempo of Gran

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Sookie Sookie

Alive! · 1970

Funky and soulful with a hard bop edge — Green's ES-330 or similar thinline thro

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Am I Blue

Born to Be Blue · 1962

Pure and balladic — Green at his most introspective. The tone is dark, round and

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