
Song Rig
Voodoo Child (Slight Return)
Jimi Hendrix · Electric Ladyland · 1968
Tone Overview
What Makes This Sound Unique
Maximum fuzz and maximum wah — the most rhythmically aggressive use of a wah pedal in blues-rock. The Cry Baby stays in constant motion, sculpting the fuzz into something percussive and vocal.
Signal Chain
- 1Fender Stratocaster (neck pickup, volume 10)
- 2Vox V846 Wah-Wah (constantly moving)
- 3Dallas Arbiter Fuzz Face (germanium, gain ~8)
- 4Marshall Super Lead 100W (cranked)
Amp Settings
Gain / Volume10
Bass8
Mid7
Treble6
Presence7
Keep the amp's treble slightly lower than Purple Haze — the wah adds presence and brightness dynamically. Bass high for the chunky rhythm sections.
Technique
How to Play It
Keep the wah moving in broad, slow sweeps on the intro and tighten to rhythmic quarter-note pulses on the verses — the wah is a rhythmic instrument here, not just a filter.
Budget Alternative
Achievable With
Dunlop Cry Baby Classic + Dunlop Hendrix Fuzz Face Mini into any amp at band volume.
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