Jimmy Page

Stairway to Heaven

Jimmy Page · Led Zeppelin IV · 1971

What Makes This Sound Unique

Three distinct tones in one song: clean acoustic intro, clean electric middle section, and a soaring Les Paul lead finale. The lead solo is the fullest, most saturated Page tone — Telecaster for the middle, Les Paul for the solo.

  1. 1Fender Telecaster (clean middle section)
  2. 2Gibson Les Paul Standard (lead solo)
  3. 3Marshall 1959 Super Lead 100W (solo)
Gain / Volume9
Bass7
Mid7
Treble6
Presence7

The lead solo uses the Marshall cranked — saturated but still musical, not sludgy. The Telecaster middle section is cleaner with a completely different character. Two different guitar tones in one song.

How to Play It

The famous descending chromatic walk uses hammer-ons and pull-offs, not picked notes — this is essential for the smooth, legato quality of the solo's opening phrase.

Achievable With

Humbucker guitar + Marshall-voiced amp or DS-1/RAT into a clean amp for the solo. A Telecaster for the clean middle section if possible.

Other Song Rigs

Whole Lotta Love

Led Zeppelin II · 1969

Thick, powerful Les Paul tone through a Supro amp — less Marshall-saturated than

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Kashmir

Physical Graffiti · 1975

Hypnotic, droning riff in DADGAD tuning — a completely different sonic character

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