Joe Walsh

Funk #49

Joe Walsh · James Gang Rides Again · 1970

What Makes This Sound Unique

James Gang's signature track — a driving rock riff that Joe Walsh built from the ground up as lead guitarist/vocalist of the Cleveland trio. The Les Paul into the Marshall produces a tight, punchy tone with an almost funky percussive quality that comes from the precision of Walsh's right-hand muting technique.

  1. 1Gibson Les Paul Standard (bridge pickup)
  2. 2Marshall Super Lead 100W
  3. 3Boss CS-3 or similar compression (light)
Gain / Volume6
Bass6
Mid7
Treble7
Presence7

Medium gain — the James Gang sound is more controlled and punchy than outright heavy metal. The Les Paul's mahogany sustain combined with the Marshall produces a tight, focused tone that sits between rock and funk.

How to Play It

Palm-muted single-note intro riff transitioning to open chord crunch — Walsh alternates between tight palm muting on the riff figure and releasing the mute for the open power chord hits, creating the dynamic contrast that gives Funk #49 its driving momentum.

Achievable With

Les Paul → Marshall JCM800 or Origin at medium gain → practice the mute-to-release technique: maintain firm palm contact on strings for the muted section, lift cleanly for the open chord hits.

Adapt to My Amp

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Thick, honky talk-box tone that turns the Les Paul into a quasi-vocal instrument

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Hotel California

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But Seriously, Folks… · 1978

Raunchy, mid-heavy electric slide that drips attitude — Walsh treats the slide a

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Walk Away

James Gang: Thirds · 1971

The James Gang's most aggressive rocker — Walsh's guitar tone is pushed harder h

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The Long Run · 1979

Walsh's Eagles contribution — a track he co-wrote and recorded for the Warriors

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