John Petrucci

Pull Me Under

John Petrucci · Images and Words · 1992

What Makes This Sound Unique

Dream Theater's breakthrough single — Petrucci's most accessible riff on the most accessible DT album. The main riff uses a down-tuned, heavy rhythm tone through a Mesa Boogie Mark IIC+ that is simultaneously technical (odd time signatures) and radio-friendly. The lead sections add the signature Petrucci Mesa high-gain sustain.

  1. 1Ibanez Universe 7-string (or 6-string in D standard)
  2. 2Mesa/Boogie Mark IIC+ (Lead channel)
  3. 3DigiTech Whammy (specific lead passages)
  4. 4Boss DD-2 Digital Delay (moderate, 1 repeat)
Gain / Volume8
Bass6
Mid7
Treble7
Presence7

Mesa Mark IIC+ on the Lead channel — high gain but with the IIC+'s characteristic midrange density that distinguishes it from a Dual Rectifier. The IIC+ is tighter, more focused, and more tonally complex than the more famous Rectifier. High presence for the lead sections' note definition.

How to Play It

The main riff uses a 7/8 time signature cycling into 4/4 — Petrucci locks the riff pattern to the bar line rather than fitting it to a conventional groove, which creates the sense of rhythmic displacement that is Dream Theater's compositional signature. Both the technique and the composition require counting against the rhythm section constantly.

Achievable With

Any 7-string or 6-string tuned to D standard + Mesa Boogie or high-gain amp (EVH 5150 works well) + Boss DD-8. The time signature awareness is the essential skill — play the riff counting in 7 until it feels natural before adding the 4/4 sections.

Adapt to My Amp

Other Song Rigs

The Dance of Eternity

Metropolis Pt. 2: Scenes from a Memory · 1999

Petrucci's most technically demanding composition — 108 time signature changes i

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Erotomania

Awake · 1994

The Awake-era Petrucci tone — heavier and darker than Images and Words, with the

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