Lindsey Buckingham

Trouble

Lindsey Buckingham · Law and Order · 1981

What Makes This Sound Unique

Lindsey's biggest solo hit — a driving new wave-influenced track where his fingerpicking style creates a percussive, clipped rhythm pattern unlike conventional pick playing. The guitar is dry, close-miked, and direct, with no reverb diluting the percussive impact of his right-hand technique.

  1. 1Fender Stratocaster (bridge pickup, fingerstyle right hand)
  2. 2Marshall or Fender (dry, moderate gain)
  3. 3Direct studio recording, minimal processing
Gain / Volume4
Bass5
Mid7
Treble8

Dry and direct — Trouble has almost no reverb on the guitar, making each fingerpicked string hit immediately audible in the mix. The bright, percussive quality comes from fingernails on strings rather than pick on strings.

How to Play It

Fingernail picking without a plectrum — Lindsey never uses a pick, instead using his right-hand fingernails and flesh to pluck strings. For Trouble, he snaps the strings with his index finger for a sharp, clipped attack reminiscent of funk bass slapping applied to guitar.

Achievable With

Stratocaster → Fender Deluxe Reverb (reverb off) → no pick: use fingernail snap on the rhythm strings → practice without any reverb until the technique is completely consistent.

Adapt to My Amp

Other Song Rigs

The Chain

Rumours · 1977

The most distinctive guitar moment on Rumours — Buckingham's fingerpicked intro

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Go Your Own Way

Rumours · 1977

Buckingham's most aggressive Rumours tone — arpeggiated chords with a driving rh

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Never Going Back Again

Rumours · 1977

Solo acoustic fingerpicking showcase — one of the most technically precise acous

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Big Love

Tango in the Night · 1987

One of the most technically demanding fingerpicking solo guitar pieces in rock —

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Tusk

Tusk · 1979

Fleetwood Mac's most experimental single — Lindsey used a home 4-track to record

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