Paul Gilbert

Technical Difficulties

Paul Gilbert · Second Heat · 1987

What Makes This Sound Unique

The textbook 1980s shred tone — scooped mids, high gain, tight low end, and a razor-precise picking attack that reveals every note in a blur of 16th-note runs. The Ibanez HSS adds single-coil bite to the lead humbucker, giving the tone slight treble crystalline clarity that pure humbucker rigs lack.

  1. 1Ibanez RG550 (HSS configuration, DiMarzio pickups)
  2. 2Marshall JCM800 2203 (high-gain channel)
  3. 3MXR 6-Band EQ (mid-scoop in effects loop)
  4. 4Furman PQ-3 Parametric EQ
Gain / Volume9
Bass7
Mid4
Treble8
Presence7

Classic scooped-mid shred setting — presence high for pick attack definition, mids dialled out to remove muddiness between fast notes. The MXR EQ in the effects loop cuts the 500Hz–1kHz range further.

How to Play It

Strict alternate picking with a drilling-motion wrist technique — Paul advocates economy of motion, keeping the pick close to the strings and using minimum movement per note.

Achievable With

HSS Stratocaster or superstrat → Boss MT-2 or MXR Distortion+ → MXR 6-Band EQ for the mid-scoop. A Boss NS-2 noise gate is essential at this gain level.

Adapt to My Amp

Other Song Rigs

To Be With You

Lean Into It · 1991

Mr. Big's acoustic-flavoured ballad showcases Paul's melodic side — clean finger

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Scarified

Street Lethal · 1986

Younger, rawer, and slightly less refined than Technical Difficulties — the gain

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Daddy, Brother, Lover, Little Boy

Lean Into It · 1991

Mr. Big's heaviest track and their commercial peak — Paul uses the Ibanez Firema

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Green-Tinted Sixties Mind

Lean Into It · 1991

Mr. Big's most psychedelic track — Paul tones down the shred technique for a 196

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Arachnophobia

Second Heat · 1991

Paul Gilbert's Racer X at full technical aggression — a fast instrumental that s

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