Randy Rhoads

Over the Mountain

Randy Rhoads · Diary of a Madman · 1981

What Makes This Sound Unique

Driving hard rock opener — the first track from Diary of a Madman establishes the album's heavier, more refined sound compared to Blizzard of Ozz. The tone is crisper and tighter than Crazy Train, with a more pronounced midrange. The riff drives relentlessly in 4/4, and the solo demonstrates Rhoads' classical influences with his trademark harmonics and arpeggiated runs.

  1. 1Jackson/Charvel Randy Rhoads V (Jackson Polka Dot V)
  2. 2Marshall Super Lead 100W
  3. 3Maestro Echoplex (tape delay for leads)
Gain / Volume9
Bass7
Mid6
Treble7
Presence8

Tight, defined Marshall crunch — Diary of a Madman has a slightly more polished production than Blizzard. The guitar tone is snappier, less mid-heavy. High presence for cut through the mix on the solo.

How to Play It

Aggressive downstroked power chord riff with melodic lead work — the main riff uses tight downstrokes with palm muting between hits. The solo builds from lower register to harmonics in the upper register with increasing speed.

Achievable With

Flying V with humbuckers → Marshall JCM800 or equivalent → tape delay (Boss RE-20 or Maestro Echoplex) for leads.

Adapt to My Amp

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Crazy Train

Blizzard of Ozz · 1980

The riff that defined NWOBHM-influenced American metal. Randy's polka-dot Flying

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Mr. Crowley

Blizzard of Ozz · 1980

The ballad side of Rhoads — the clean tone is surprisingly warm, using the neck

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Dee

Blizzard of Ozz · 1980

A solo acoustic guitar piece — Rhoads recorded this intimate classical guitar pa

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Flying High Again

Diary of a Madman · 1981

The second Ozzy album — Rhoads' tone developed slightly warmer character than Bl

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Diary of a Madman

Diary of a Madman · 1981

The most orchestral and complex piece in Randy Rhoads' catalog — the clean, arpe

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I Don't Know

Blizzard of Ozz · 1980

The full-tilt opening of Blizzard of Ozz — the riff that announced Randy Rhoads

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