Robert Fripp

21st Century Schizoid Man

Robert Fripp · In the Court of the Crimson King · 1969

What Makes This Sound Unique

The opening track of King Crimson's debut — Fripp's guitar through a fuzz pedal and Marshall produces the first truly heavy guitar tone in the progressive rock tradition. The tone is thick, distorted, and slightly feedbacking, with a treated-through-fuzz quality that transforms the Les Paul's warmth into something alien and aggressive.

  1. 1Gibson Les Paul Standard (1968 model)
  2. 2Marshall Super Lead 100W
  3. 3Fuzz pedal (unidentified, possibly Dallas Arbiter)
Gain / Volume8
Bass7
Mid7
Treble7
Presence7

Heavy fuzz into Marshall — the combination of a fuzz pedal and a cranked Marshall creates more saturation than either alone. The tone has an almost synthetic, thick quality appropriate to the science fiction dystopia of the lyrics.

How to Play It

Aggressive chord riffing combined with complex rhythmic unison — the 21st Century opening riff has the guitar, bass, and saxophone playing the same aggressive figure simultaneously, creating an unusual timbre that sounds like a single instrument of indeterminate type.

Achievable With

Les Paul → Dallas Arbiter Fuzz Face or EHX Big Muff → Marshall JCM800 → the unison with bass and saxophone is the key compositional element; as a solo guitar the riff sounds powerful but not as distinctive as in ensemble.

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Starless

Red · 1974

King Crimson's most emotionally devastating piece — a 12-minute composition that

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Heroes

Heroes · 1977

One of the most innovative guitar recordings of the 1970s — Fripp created the st

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Red

Red · 1974

The most aggressive King Crimson tone — a biting, sustaining Les Paul through a

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Larks' Tongues in Aspic (Part One)

Larks' Tongues in Aspic · 1973

The most textural and experimental of Fripp's early tones — this track incorpora

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Discipline

Discipline · 1981

Fripp's new wave King Crimson era — the interlocking guitar patterns between Fri

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