Robert Fripp

Larks' Tongues in Aspic (Part One)

Robert Fripp · Larks' Tongues in Aspic · 1973

What Makes This Sound Unique

The most textural and experimental of Fripp's early tones — this track incorporates both gentle clean passages and extreme noise. The clean sections use a very dry, slightly hollow Telecaster-ish tone, while the noise passages push the amp into full feedback territory.

  1. 1Gibson Les Paul (bridge and neck pickups used differently)
  2. 2Marshall amplifier (moderate to cranked)
  3. 3Eno's tape delay system (developed for later Frippertronics — less present here)
Gain / Volume5
Bass6
Mid7
Treble7

Variable settings within this 13-minute epic — the gentle acoustic-style passages use very low gain while the noise sections push to maximum. Fripp understood tonal dynamics as composition, treating the amp settings as an instrument in themselves rather than a fixed tone.

How to Play It

Extended technique including controlled feedback, string percussion, and avant-garde noise elements — Fripp influenced by free jazz as much as rock, treating the guitar as a sound-generating object rather than a melody instrument in certain passages.

Achievable With

Any guitar with neck and bridge pickups → Marshall-style amp → willingness to use volume swells, controlled feedback, and extended technique. The composition requires open-minded playing more than specific gear.

Adapt to My Amp

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