Roy Buchanan

Cajun

Roy Buchanan · That's What I Am Here For · 1973

What Makes This Sound Unique

Roy's Louisiana roots displayed — a track that shows the country and Cajun influences beneath the blues surface of his playing. The Telecaster's bridge pickup with a brighter, more twangy amp setting than The Messiah produces the characteristic honky-tonk Cajun guitar tone.

  1. 1Fender Telecaster 1953 (bridge pickup, volume ~8)
  2. 2Fender Vibrasonic (slightly cleaner than The Messiah)
Gain / Volume5
Bass5
Mid7
Treble8

Brighter and cleaner than the blues material — Cajun tonality favours a more treble-forward, less distorted Telecaster sound. The pickup's twang is the feature rather than the amp's saturation.

How to Play It

Cajun two-step rhythmic accent — the rhythm pattern emphasises beat 2 and 4 (like shuffle blues) but with a lighter, more dance-oriented feel than heavy blues. Roy plays single-note lines that accommodate the dance rhythm rather than the listening-room blues.

Achievable With

Telecaster bridge pickup → clean-to-lightly-driven Fender amp → bright EQ → practice the two-step feel: lighter, more rhythmically propulsive than blues, with consistent beat 2 and 4 accents.

Adapt to My Amp

Other Song Rigs

The Messiah Will Come Again

Roy Buchanan · 1972

The track that introduced Roy Buchanan to the world — a slow, ominous blues with

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Sweet Dreams

Second Album · 1973

Roy's most tender performance — a country-influenced slow ballad that demonstrat

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Please Don't Turn Me Away

Roy Buchanan · 1972

Heartbreaking clean tone — Buchanan's Telecaster through a clean Fender produces

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The World Is Waiting for the Sunrise

Second Album · 1973

Virtuosic and wild — Buchanan's single-string speed on this track was unpreceden

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Five String Blues

Live Stock · 1975

Raw live blues — Buchanan's Telecaster tone live is dirtier and more aggressive

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