Scott Henderson

Tore Down House

Scott Henderson · Tore Down House · 1997

What Makes This Sound Unique

Scott Henderson's most blues-forward solo album — Tore Down House presents pure blues without the jazz-fusion complexity of Tribal Tech. The Suhr guitar through a pushed Fender amp (rather than the Mesa Boogie) produces a warmer, more organic tone appropriate to the more traditional blues material.

  1. 1Suhr Standard (neck pickup for blues feel)
  2. 2Fender Bassman or Super Reverb (pushed natural breakup)
  3. 3Ibanez Tube Screamer TS9 (light boost)
Gain / Volume6
Bass7
Mid7
Treble7
Reverb3

Fender amp natural breakup rather than Mesa high gain — Tore Down House uses a warmer, more organic amplification approach. The TS9 provides a light boost that pushes the Fender into breakup without the clinical compression of the Mesa preamp.

How to Play It

Blues vocabulary fully expressed — without the jazz-fusion complexity imposed on Tribal Tech material, Henderson can play pure blues: wide bends, double-stops, and the rhythmic breathing space that blues requires but fusion often doesn't allow.

Achievable With

Suhr or Strat → Fender Blues Deluxe → Ibanez TS9 (low gain, high volume setting) → the contrast with Henderson's fusion work is instructive: the same hands playing in a different context produce completely different musical results.

Adapt to My Amp

Other Song Rigs

Dolemite

Tribal Tech · 1989

The Tribal Tech debut and the track that established Scott Henderson's blues-roc

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Dog Party

Dog Party · 1994

The Dog Party album's most aggressive track — Henderson pushes the Suhr/Mesa com

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River People

Tribal Tech — Tribal Tech · 1983

Jazz-rock fusion crunch — Henderson's Strat through a Mesa Boogie Mark series pr

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Well to the Bone

Dog Party · 1994

Blues-rock swagger with fusion technique — Dog Party is Henderson's most blues-r

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Ya Gotta Try

Tore Down House · 1997

Guitar-vocal blues — Henderson's most stripped-down album, recorded with minimal

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